December Watch List

1. Village of the Damned (1960)

When BFI announced their new season's programming, Fear and Wonder, I was really excited. They were finally dedicating a season to Science Fiction. There were many films I really wanted to see but I chose two, to start with. After spending hours looking through the sci-fi section at Waterstones, I came across 'The Midwich Cuckoos' by John Wyndham and few other books by him. I read the back and remembered the story. It clicked later that it was the book that 'Village of the Damned' was based on. The film is a brilliant piece of classic British sci-fi. No special effects apart from fire and explosions, sound effects are used but otherwise this is sci-fi at its best, strange and unusual but everything is normal. The actors are all superb and delightful, 'oh so terribly British'. 

One day in the country village of Midwich, the entire population pass out for several hours. The people all wake up, no one is harmed but after a while, many, nearly all the women in the village are pregnant. They all give birth to blonde children with black eyes and strange fingernails. The children grow up, at rapid rate, with their respective families until strange things happen. The children, cold, emotionless travel in a group, wearing the same outfits. They development mind control abilities causing deaths and panic throughout the village. They are obviously from another planet and eventually, after discovering the other 'colonies' around the world failed, they reveal themselves. The children are incredibly creepy and unnerving, aliens among story is brilliant, well done with the right amount of scares and science fictions elements. There are main characters to identify with, the professor who wishes to study them while teaching them, his wife who is also one of the mothers and her brother army officer who alerted the army to the incident right from the start. The conclusion is inevitable and just like most old films, ends suddenly. A brilliant sic-fi film, but I was disappointed to hear there was a remake, set in America. How boring. 3/5

2. The Hobbit: Battle of the Five Armies

My previous post and comments of the 'Defining Chapter' are here - 4/5

3. Ex-Machina

Apart from the gushing praise that the events manager gave this film, the audience was sworn to secrecy so I'm afraid that I will have to be brief. The release date for the film is in late January next year and as well as the preview, there was to be a Q & A with Alex Garland, the director and screenwriter of many films that you all will know (The Beach, Sunshine, Dredd, 28 Days Later). It's actually his first feature where he's directed, so being an admirer of his work I was excited. But, saying all this, the film was brilliant except for the last 15 minutes. I was so disappointed by the ending I actually got up and left during end credits. I didn't want to stay for the Q & A for fear that I would ask something mean. I came out of the screening thinking that the message from the film was that men are weak, women are bitches. I was very disappointed.

The story is about Caleb (Domhnall Gleeson), an employee who works at BlueBook, the biggest search engine site created and owned by Nathan (Oscar Isaac) who is a genius. He has built a machine, A.I who can pass for human, or can it? The 'robot', Ava (Alicia Vikander, lives in a house or lab is what is it referred to and is allowed to talk to Caleb through glass walls. Caleb is under the impression he is there to test Ava but, as they say. 'the plot thickens'.

The film is a brilliant sic-fi thriller with a cast of basically 3 people. It felt as if it could have been even more but I was let down. 3/5

4. Penguins of Madagascar

Not my favourite Dreamworks animated franchise, My favourite involves dragons and quality story. Although Madagascar does the same old thing all the time, the creators knew they were on to a winner with the penguins; Skipper, Rico, Kowalski and Private. They are brilliant. They made a TV series and I've seen a few episodes, its great and actually funny. But the inevitable happened, they, Dreamworks, made a film with the penguins taking a starring role. Smart idea. They did this with Puss in Boots, although that that film wasn't so great, the penguins is brilliant!

Starting with who the penguins became a team or rather 'family' when they were young up then jumping to the end of Madagascar 3 where they literally shoot themselves out of the circus and that ridiculous song. The story about being a team, knowing each others strengths and appreciating one another. It's simple and great to watch. Of course theres an evil octopus called Dave who is the villain and wants revenge on all penguins and the North Wind (a husky, polar bear, owl and seal) who are a sort of rival team trying to capture the evil Dave. All these characters just make the film so crazy and ludicrous but it really doesn't matter, its a fun film and the penguins are the best characters since Hiccup and the village of Berk, plus the dragons. 4.5


                                                                    5. The Book of Life

I had wanted to see this at the cinema as it looks so beautiful in the trailers, but alas it wasn't meant to be. Month later I get to see the splendor of Mexico! The film is told like a fairytale, with truth and legend mixed in, the best kind of stories. A classic tale of love, adventure and the day of the dead.  Two boys, Joaquin and Manolo, both in love with Maria. As they grow up, Maria becomes feisty and ready to take on anyone. Joaquin becomes a solider, a hero of the town and Manolo is trained by his father to become a bull fighter, he has natural talent but he is also a gifted musician which his father is against. Aside from all this, the spirits La Muerte and Xibalba, rulers of the Land of the Remembered and the Land of the Forgotten place a bet on who will marry Maria. The story is set, the players ready and the result, a beautiful film. It was great fun, with music too to sing along too or to just enjoy the amazing animation. 3/5

6. Men, Women and Children

 To be honest, I had heard mixed reviews, mainly bad reviews about this film. I suppose after the award grabbing Juno and the 'everyone look at me' Up in the Air, Jason Reitman had a lot to live up to right? Wrong. I didn't even like Up in the Air and if he had a 'dud' film, it was definitely Young Adult, that film had no soul. Labour Day was good but everyone seems to have forgotten he directed that. That was his latest. MW&C had a lot to live to, I suppose, mainly because of the cast. Adam Sandler not being funny, Jennifer Garner being a prude psycho mum who checks her teenage daughters emails, phone and absolutely anything online. Various other indie actors playing very real, run of the mill characters that you would find in any town. I thought it was a really great film. It showed the known dangers of porn addiction at 15 years old. Exposing young girls photographs on the internet saying its for their acting career. The damage that is down to someone when you take away their outlet. The only element in the whole film that was dull was the couple who are cheating on each other. It was written well and I actually thought Adam Sandler was very good (he's not funny, so this worked) but the let down was Rosemary Dewitt who unbelievable uncharismatic I dozed off when she was on screen. I'm not sure if she was meant to be that way but she was. She was the weak link in a strong chain. A special mention to Judy Greer by the way, who was brilliant. And to Ansel (so hot right now) Elgort, he seems to be in everything and Kaitlyn Dever who were very quiet making a big impact as the heart of the film. 4/5

7. In Your Eyes

Written by Joss Weadon, I'm 98% sure I will like this film. Plus Zoe Kazan is always great. It's an alternative romance film and its beautiful. I tried explaining the set up to my sister and she didn't seem to like the idea, but I'm sure if she sees it she will understand and like it too. Two people, Rebecca and Dylan, who share a connection but live on opposite sides of the country. They each grow up thinking that they're crazy or that they're just dreams but in fact they can see what the other sees and hear each other as loudly as they hear themselves. She's the sheltered wife of a 'fancy' doctor and he's an ex-con who looking to change his life. That's just the basics, there is more than meets the eye, that's cliche but its accurate. Sounds crazy but its actually a very romantic film. 4/5

8. Smashed

I'm not really a fan or interested in films about alcoholics. But so much was said about Mary Elizabeth Winstead's performance and yes, it was brilliant and disturbing. She plays, Kate, a school teacher who likes to drink, all the time. When she's drunk, its actually terrifying, the character is a mess, an obvious mess. Things change though, when she decides to attend an AA meeting. She tries to pull herself together but she doesn't impose her new ideas on anyone, just tells them about it if they ask, which I felt was a good message, no one was beging 'preachy'.  But as her husband Charlie (Aaron Paul) who also like to drink, continue to do so making things difficult between the couple. In her ending AA speech, she thanks them all for her boring life. Even though shes smiling, she obviously sad and sober. Its a new view on alcoholism, not everyone is happy sober but they know its the best thing to do. I though the film was rather sad and didn't have much of a conclusion which was irritating especially as the film was only 1 hour 21 mins long. There could have been more. 3/5

Defining the Final Chapter

For anyone who hasn't read the book there will be SPOILERS, so read on if you are ok with this.

The film picks up exactly where the Desolation of Smaug ended. This first section sets the tone for the rest of the film and reveals Bard's heroic, yet modest nature and skills. He kills the dragon.  But I think that was obvious from the trailers. After Smaug is destroyed, crushing most of Lake Town along with him, there are mentions that others will look to the mountain and that is when the film's title appears.

There are far more characters involved now and each are given something to do (thank god, no one floundering around). The armies slowly come together, apart from the Orc hordes, they ready as soon the film starts. Orcs are disgusting but they are patient, they must have been waiting for the signal or call for months. The men of Lake Town take refugee in the ruins of Dale, reluctantly lead by Bard and Thranduil, King of the Woodland Elves bring aid not out of kindness but so he can swing by the mountain to get his white gems. Thorin, who is going mad, has made plans and called on his cousin Dain in the Ironhills to come and fight when he suspects that everyone will try and steal his treasure. Gandalf is stuck in a bird cage in Dol Guldur and Legolas and Tauriel decide to find out where the Orcs went. The film leads up to the 45 minute battle scene which is amazing and as the film is called 'battle of' it is fair to say that it is not too long.

I was surprised that Battle of the Five Armies isn't that long either. It was a little over 2 hours. Just an observation in case you were thinking of what snacks and provisions to take with you.

There were a few scenes missing from the second film, just a few things but they were included in the extended version, with the third instalment, nothing was missing, except maybe the end. So much fuss was made of the false ending in Return of the King, with this film, it ends. In fact it comes full circle ending on the first few lines Bilbo and Gandalf exchange in Fellowship of the Ring, which is links and ties up the story. But I felt that there needed to be more of an end after the battle. Favourite characters do die and it is incredibly sad. The people of Lake Town should tribute by blowing a large horn and standing in silence on the cities wall but that's it, then Bilbo leaves. There was little resolution there. I am praying that more is explained in the extended version. In the book, I'm sure, and the BBC radio drama version, things were wrapped up. Bard is made master of the town, funerals take place, the treasure is equally divided and there is more of an end, that's all I'm saying.

Aside from the enviable epic battle, there are a some touching scenes. A conversation between Dwalin and Thorin when the former is trying to convince him to follow the Dwarf army, their kin, into battle, is brilliant and also it was nice to see a reasonable dwarf in the company that wasn't Balin. It was an out of character scene for the violent fighter Dwalin and it was perfectly placed. Another touching moment was between Bard and his son, Bain. When Bard sees his bow is broken he fashions a sling shot to shoot the black arrow at Smaug, Bain has his back to the dragon being used to steady the arrow. Everything slows down and Bard, very calm tells his son to look at him. It's brief and it, in a way encapsulates Bard's reasoning. He's not looking to be a hero, he just wants to save his children. Another brief moment between a father and son, Thranduil and Legolas, is near the end. Thranduil, who usually shows little emotion other than anger or annoyance, looks for Legolas. He is worried for his son but as soon as he finds him, reverts back to his usual expression. Pity there isn't more about this family.

The Tauriel, Kili, Legolas triangle comes to a head. It's just as unnecessary as it was in DOS and even more confusing. Basically, it still doesn't work. In the movie guide (I bought them all!) John Howe says that Tauriel is out of love with everything else and has turned to Kili, who is going through the same thing, so it's not exactly love, its almost love. Which ever way you view it, its not clear what she is really thinking.

Thorin is going through his mad king phase suffering from 'dragon sickness', obsessing over his gold. I was please to see the signature scenes from the book were put in. Thorn threatens to throw Bilbo from the gates where the dwarves have barricaded themselves in. Bilbo was trying to help his friend by keeping the Arkenstone and then giving it Bard and Thranduil to bargain with. All to avoid battle. It's a great scene which actually starts the battle off. Thorin steady decline into madness is brilliantly done, expressed in his little talks with Bilbo when he heard Smaug's voice blend into Thorin's.

Apart from the last scene at the end, there are obvious links to LOTR. When Galadrial, Elrond and Sauruman come to Gandalf aid, they are attacked by the Nine Mortal Men who were given rings, yes, there are to become Ringwraiths then are attached by Sauron himself. Galadrial banishes him to the East (Mordor) and Elrond suggests they warn Gondor but Saruman casually says everything is fine, he hasn't got the ring and then says he'll deal with him. But we all know what happens there. Another hint to the future, Thranduil actually shows emotion after looking for Legolas, thinking he was dead, finds him heartbroken. Legolas just says 'I can't go back' so his father suggests to go see a ranger, 'his father Arathorn was a good man and he is set to be a great man'. Oh and this ranger's name is Strider. Massive hint there. The ends an epic trilogy to set up for an even bigger journey and adventure.

In fact after seeing it (twice) I had the urge to go home and watch all of LOTR. I stopped this urge by watching some sic-fi and catching up on Twin Peaks, just to take my mind off the film. I am that attached.

I am hoping to actually do the marathon before the end of the year, with all 5 films, as it would be difficult to factor in the current release. I would have to dash off to the cinema and dash back. This is when an in-house cinema would come in handy. One day.

I definitely recommend this for any film fan, Tolkien appreciation society and those who have been as touched as me by the films. Go see it #OneLastTime

Farewell to Middle-Earth

After a year of waiting, a year of just watching that unbelievable cliffhanger and listening to 'I See Fire' by Ed Sheeran over and over, the wait was over. Battle of the Five Armies has begun.

I pestered my friends to book tickets for an IMAX screening of the film as soon as possible and I'm very glad we did, we had amazing seats, exactly in the middle.

It's been all over film magazines, TV spots, the trailers were released a few months ago, just so we all got revved up and ready to go. Instagram has been going crazy with posters, teasers, behind the scenes, cast videos and premiere photos. The build up has been immense but this morning felt anti climactic.

I had been at work until midnight the day before and the cab driver had taken the longest (and wrong) route to my home, plus there had been a crash/stabbing in on road, so even more traffic. All this mounted to me being very tired and slightly reluctant to roll out of bed the next day. I was also running late for the screening having left early but not factored in Sunday traffic. I am never taking that damn bus again! I made in time though, saw last few adverts but as soon as the New Line Cinema icon came up, I settled in. I was back and the film did not disappoint.

The question about the 276 page book being turned into not 2 but 3 films WAS ludicrous and in some ways, it still is but the result wasn't three terrible films, it was an amazing trilogy and brilliant achievement in cinema, again. The Middle Earth saga, as what is now known as was and is a phenomenon. No one ever thought the fantasy/adventure genre could ever be critically pleasing, award worthy and loved by millions. Apart from being excited about this #OneLastTime  business I am really sad to see the end. There may be other Middle Earth films but not with familiar characters and adventures. If you're thinking The Silmarillion, good luck, its quite a serious book and actually takes places year and years before The Hobbit. This really is the end. After the film, I was very upset and I'm not ashamed to say it, I've already written about how much The Lord of the Rings films mean to me. I said it quite a few times. Even though I knew what was going to happen, I was emotional about the characters, the end, nostalgia for LOTR and the whole experience really. It was satisfying ending, but I still wanted more.

I'm still writing my post about the film, keep your eyes peeled.

November Watch List

1. Mr Turner  

There has been quite a bit of hype surrounding this film as it is meant to be Mike Leigh's final film, but do believe the hype, the film is indeed a masterpiece. Having not known much about the painter, my parents both love his work, it was interesting to see him at his height of fame and prestige. I too, am now in awe of his work. The paintings are beautiful. Timothy Spall who portrays Turner, actually learnt to draw and paint over two years in preparation. It felt that Leigh had been waiting for the right time for Spall to play this part, great casting. It is technically a biopic but there is a sense of quiet drama worked in, which is Mike Leigh's speciality. Maybe a bit on the long side, the film was still a delight to watch and interesting to learn about art. That may sound pretentious, but its true. 4/5

2. Nightcrawler 

When I was telling others about the film, they asked 'is it a true story?' its not, but it feels like it is which just makes it more terrifying. It is not a horror story, its about how cruel and detached humans can be and the lengths they will go to succeed and THAT is terrifying. Louis Bloom is both a hideous person and one of the most compelling characters in the film, this year at least. Jake Gyllenhaal has been receiving praise from all over and he does deserve it. I blinked twice when I saw him on screen, it really does dig deep into this character. The story is about Louis, a thief who buys camera equipment and a police scanner and stalks the streets of LA waiting for a possible accident or crime to film then sell to cable news shows. He does this after watching a van pull up alongside a car crash, Bill Paxton, a nightcrawler for years, jumps out and films the police save a woman trapped inside. Louis is inspired. He begins selling his 'moral questioning' footage to a low rated Cable news channel, building a reputation. He sons makes bigger demands and even blackmails a producer. But when a huge murder story breaks, things seem to get worse and I don't mean for Louis. Creepy, barely describes the film and the characters actions. But despite the horrible things happening, its not gory nor scary its human nature at its worst and its hard to look away. A brilliant and very chilling thriller. 4/5

3. Life Partners 

They've been friends for years and are almost inseparable. But when Paige (Gillian Jacobs) gets a boyfriend, then later engaged, she seems to have less time for Sasha (Leighton Meester). Two best friends, one is straight, the other is gay, one moves on while the other is stuck. Its not a new concept, close friends then someone 'gets in the way'. What was refreshing about this film was that it was actually about friendship and appreciating each other. Sasha wasn't annoyed or upset that Paige had a boyfriend because she was in love with her, she was sad because she feels like she's lost a friend and it was great to see this portrayed so well. The side of the side of the story is that Paige is quite uptight, lawyer and has to have everything perfectly done, while Sasha is a slacker, dating younger girls, has a job she hates and wants to write music but never seems to. They are opposites and thats the main reason why things come to a head. Its a great drama, simple story, human and realistic characters. 3/5

4. Mockingjay Part 1 

'Strange things did happen here

No stranger would it be

If we met at midnight

In the hanging tree'

Like others, I was very annoyed that the last book was being split in two. My favourite book in the trilogy is Catching Fire and Mockingjay least, but the film, was amazing. The film stays close to the book, obviously adding the much needed interludes from the Capitol and scenes of rebellion from some of the other districts. It's a cliche, but its an emotional rollarcoaster from start to finish, its not wonder Katniss goes s little crazy in the book, they show less of her breakdowns in the film though, this speeds things up and makes her a stronger character. The book is all told from Katniss' point of view and a lot is lost there, but the film is structured perfectly, introducing characters are story goes smoothly along, not bombarding the audience with them unnecessarily. Another welcome change is Effie Trinket. In the book Katniss' prep team have a larger role but Effie is substituted in, replacing them and another character which was understandably cut out. 

Changes aside. This film is a lead up to the fight in the Captitol, showing us how they rally the districts into rebellion and fighting. This idea makes far more sense then everyone just fighting. For a YA book, its very bloody and violent but that may be part of the appeal. This is also the film where Katniss and Peeta are separated. They are used against one another but they share a connection. Peeta, no spoiler here, is being tortured, obviously and still protecting Katniss, while Katniss is refusing to help District 13 in fear Peeta will be harmed. The two of them are most definitely the heart of the film, even though Peeta has far less screen time. The use of the book's song 'The Hanging Tree' is brought to life in the most beautiful yet tragic moments in the film. I may be making a bigger of this film, but it truly is a Hunger Games dream. Only problem, waiting for part 2. 5/5

5. The Imitation Game 

Alan Turing was the man who broke the enigma machine code the Nazi's used during the second World War, he was then, years later, arrested for 'gross indecency'. This basically meant he was arrested and convicted for being gay, as in the 50's this was illegal. The film is split between the time his team of code breakers worked on the enigma machine, when he is arrested and his time at school. The film and by extension uses its characters to pose the question, was he a war hero or criminal. Its a brilliant story alongside a tragic time in a person's life. Alan Turing was given a posthumous pardon in 2012, long overdue. Cumberbatch is excellent as Turing, outsiders being speciality. The code breaking team are also brilliant, even Keira Knightly. It is different type of war film, it focuses on those fighting at home, not with violence but those trying to prevent attacks, strategising and breaking codes. It is also a biopic, second on the list. At first you do not feel attached to Turing but then when he starts to open up to a friend and flashbacks to his school days are shown, his character and suffering is revealed, you feel sympathy for him. A brilliant bio war film that shows a another side the war and what happened, that you don't often see. 4/5

The First Time I Watched ...

I wanted to call this post, 'do you remember the first time' but I didn't want readers to get the wrong idea.

I remember the first time I watched The Fellowship of the Ring. It was 2001 and had wanted to see the film, the 'big' fantasy film that I had read about. I wasn't reading Empire magazine regularly back then, but I used to collect the free magazine from my local Cineworld and I was interested. I had already read and listened to the BBC radio drama of The Hobbit and I was told by my mum and aunt about other J.R.R Tolkien books. So, as I said, my interest was peaked. I was outraged my family had gone to see the film without me. I badgered my dad to take the next weekend. It felt like going to see any other film, I was excited, I was allowed popcorn and it was on the big screen.

From the second the film started (not joking) I was in awe.

From the moment I heard Galadriel's voice say, 'The world is changed. I feel it in the water. I feel it in  the earth. I smell it in the air. Much that once was, is lost, for none now live who remember it.' I was hooked. I think one of the greatest advantages was, going into that film, I knew little of the story and it was so well told, I didn't need to ask any questions throughout, everything was laid out for me to enjoy. I loved the characters, they all had spirit and their own stories and destinies. The scenery was beautiful,  the music provided the perfect emotions for every scene, situation or personality. It was breathtaking. You cannot replace that feeling you have when you see the film that changes your mind.

I've always loved film but I had always wanted to act. Lord of the Rings changed that for me. Although, a few months earlier I had seen Moulin Rouge, which also played a large part in my mind changing experience, but really it was LOTR.

There was an emotional journey while watching The Fellowship of the Ring. I remember being really annoyed when Merry and Pippin first tagged along, but they turned out to be my favourite characters. When Gandalf fell in Moria, the cinema was silent. I knew his character from The Hobbit. I couldn't believe he was just, killed off. I thought pace changed and everything felt unbalanced, but with further viewings, it was needed. I was in despair when it took 3 arrows to take Sean- I mean Boromir down. There was a small part of me that hoped he'd still get up and run after the Uruk-Hai. But alas, 9 became 8, then 8 became 7. When everyone began splitting off into groups, I could feel the end coming but I didn't want the story to end.

After the film, I was tad annoyed by the cliffhanger at the end, until I released The Lord of the Ring was trilogy. I had a million questions, mainly if Merry and Pippin (my favourite characters) survived. I called my aunt, who was an expert on the books, as soon as I got home. She leant me The Two Towers, I read it as fast as I could. I needed answers. I was obsessed with Tolkien. Middle Earth. The Lord of the Rings. I went to see the film 3 times. I begged my dad to find it on pirate VHS. Yes, it was that long ago, VHS was the way to go.

I was 12 and I went to an all girls secondary school. I read Empire magazine. I loved Lord of the Rings, at that time and that age, I could be seen as a bit of an old ball. But I didn't care. When I was told it was a 'boys' film, I argued back. A film cannot be categorised as a male film, you can say more 'boys' would watch it but 'girls' can still watch it too. As you can guess, teenagers didn't want to debate this subject that less interesting things to discuss.

All I wanted to do was talking about the film.

I would still defend LOTR to ends of Middle Earth and the trilogy holds a very respectful place in my top ten films (they count as one). I don't believe its over the top to say, it is one of the greatest trilogies ever made, three of the greatest films ever made. It's been over 10 years since The Fellowship of the Ring was released and the films have not dated. Other film fans, critics and enthusiasts would agree with me too. Unlike when I was 12 years old, sitting in class holding my Tolkien dictionary, I am not alone.

What I Love About Movies ...

To celebrate the release (and much talk) of Little White Lies book, 'What I Love About Movies' last month, I thought I'd share what I love about movies, film, cinema.

No matter how I'm feeling or what's been going on that day or even a few moments previous, I am absorbed into the story on screen. Sometimes, if it's been a particular spectacular film, I stand up and forget where am I for a second. I can immerse myself into the story and still be aware of the people near by but for those few hours, I don't care. All I care about is the film I'm watching.

I am proud to say, I have only once fallen asleep in the cinema and the circumstances will back me up. I was watching previews of films for two days straight, it was glorious. But I needed a rest and found myself drifting for about 10 minutes. I really needed that sleep. Other than that one occasion, I am glued to the screen, even if I don't like the film much.

That's what I love. No matter what, I'm taken in. I wouldn't say it was like I was part of the film, it's better. I get to watch everything and no one bothers me. Going to the cinema is part of the reason why I love movies. I settle in, I have my coffee and choice of fruit (most of the time) and I can sink down or lead in, lean back and its my time.

The main reason why I love films are the stories. I know people say you can get lost in a good book but you can explore through a good film. I am a story addict. If the characters are compelling or there's good dialogue, great, this adds up to a story I won't forget. Stories you can tell others, stories that seem new are familiar, stories go on forever and you're never tired. Films are stories and they're inspirations for my own stories too.

I've always loved film and I always will.



What I Love About Movies is out now

October Watch List

I actually started my watch list a few weeks ago so my apologies for the delay. This month seemed to be adaptation packed with 5 out of 7 of the films being novels first.

1. The Maze Runner 4/5

There seems to be a button that people press when talking/writing about a film that was based on a popular or successful novel or series of books, they assume that all the stories are same. Before The Hunger Games, everything was being called 'the new Twilight', now everything is just 'the new Hunger Games'. Well, Divergent is just a plain, far less interesting version of those two franchises combined. The trend that the lead in a YA (Young Adult) adaptation is a female teen, usually set in a dystopian world and has to fight for survival, but The Maze Runner isn't. The lead or at least main character is male and he isn't so much fighting for his life, but simply trying to remember how he ended up in the maze. Simple set up, Thomas, arrives in the Maze, where there at least 40 others, just like him, trapped, living day to day on supplies that mysteriously arrive each month. A society over 2 years (3 years in the film, no reason for this slight change) has formed, everyone is in a group. Thomas immediately feels drawn to the Runners, they map the maze looking for a way out. Everything seems to change since he arrived, along with the arrival, hold it, of a girl. Its an excellent vision of the book. It took a while for me to get into the book but I'm so glad I did, its brilliant. Although most characters in the book didn't quite get a good glance on screen, the film was close. Also, you didn't need to read the book (no matter how good) to understand what was happening. A science fiction, mystery conspiracy, action drama that just happens to be adapted from a YA series. Ok, the film does tick some of those stereotypical boxes but only by the end when the next film is set up. But its a really good film, so by then, it doesn't matter. Unlike Divergent. 

2. This Is Where I Leave You 3/5

This film, based on a novel of the same by Jonathan Tropper, hasn't been receiving very good reviews which is strange for the cast and content. Four siblings return home after their father's death and are forced to sit shiver by their crazy mother (Jane Fonda) as it was their father's dying wish. Of course there are dramas, heartbreak, hilarious scenes involving a hospital visit where everyone gets involved but I have to agree with some of what has been said. I really enjoyed it (Tina Fey is present, automatically loved her character) but the family, felt like they needed more explaining, more back story than a few comments here and there. It actually felt like the beginning of a TV I would definitely watch. 

3. Gone Girl 4/5

I had been waiting for ages to see this film. Yes, it was one of those. And I was not disappointed. From the best selling novel of the same name by Gillian Flynn, is the story about a marriage. Nick and Amy's marriage begins like a fairytale only to end up like reality horror show. When Amy disappears, Nick is left to deal with the devastating consequences, resulting in him being accused of her murder. Questions are posed, if there is no body, how can this be a murder? Also, did he actually commit the crime? This film, story, plot is beyond brilliant. I am a big fan of David Fincher and he creates such a brilliant view of this marriage. Hi specialty seems to be crime related films, not always traditional, like his adaptation of 'The Girl With the Dragon Tattoo'. The approach in that film was by a victim and a journalists. In this film, its the husband and too an extent, his sister as well. The leads, Ben Affleck and Rosamund Pike were perfectly cast. Affleck impressed even more. I'm worried now, with all this goodwill he's slowly created over the years will be destroyed by his Batman outing but you never know, Christian Bale is still respected. Back to Gone Girl. The film is a mix of a crime thriller and domestic tale and has a few horrific shots that are shocking at first glance but actually express the characters inner psycho. Those who have seen the film can probably guess the scene I mean. A brilliant film and it lives up to the hype.

4. In Secret 3/5

I thought this would have had a bigger impact on the box office than it did. It barely made a sound over here in UK. It definitely felt like his film was released 'in secret'. A passionate of betrayal all wrapped up in period costumes and set in France with American and English actors. Described as an erotic thriller, based on the novel Thérèse Raquin by Emile Zola, Thérèse (Elizabeth Olsen) is sent live with her aunt (Jessica Lange) and sick cousin (Tom Felton) where she treated like an object and pet. They aren't cruel but they are demanding to the point you want to slap them both. After being forced to marry her sick cousin, they move to Paris where they meet Laurent (Oscar Issac). She begins an affair with him and from there things turn sour, for everyone. Slightly predictable, up until the last quarter. But I won't give anything away.

5. Stretch 3/5

Smokin' Aces was brilliant. An obscure yet simple storyline filled with guns, blood and violence, what's not to like? I saw the trailer for Stretch and thought the same thing, except with just one main character who, even though, isn't that great a guy, you still want him to get that $6,000 to pay off his gambling debts by midnight, among other challenges he faces. Patrick Wilson is the limo driver/wannabe actor who used to be a gambler, drinker and drug taker, then he met his dream girl who left him for a rich famous guy. He's threatened by his bookie that he needs to pay his large debt by midnight and as fate would have it, he ends up driving around a filthy rich eccentric billionaire who gives large tips. Things don't always go smoothly though. A great action film with dark humour and crazy characters you're glad you've never met.

6. How I Live Now 2/5

I had planned on reading the book first when I read about the storyline. I read the first few pages and deemed it 'too young adult' for me to read. No swear words, no vivid descriptions, just words like 'monster in law' to describe a step mother. That book went back from whence it came, the charity shop. When the film came out I was going to see it at the cinema, so glad I didn't. It is serious subject, a third world war, bombs hitting London, people arrested and raped by the enemy. But nothing is clearly defined. The story is told through the eyes of an American teen who at falls in love with the idilic English countryside but when war arrives, everything is destroyed. Her mission is get back home but again, details are thin. What is going on? Who is attacking who? Why did the army split up a family? When did the war end? The film ends on a happy note but the 2 dimensional characters were never people you strongly cared about anyway.

7. 22 Jump Street 3/5

I loved the first film, as did many others. I was so happy at the thought of a sequel but this film felt like it was laking something very important from the start. The joke that this was going to be exactly the same as the previous film became tiresome and the added 'brand new' office made it feel the film was given an unnecessary upgrade. This, always happens. The first is brilliant and slightly low on money or 'set dressing' then the money from the success is used to made everything 'bigger' and less appealing. Channing Tatum was on top comedic form but Jonah Hill acted like the fat girl who lost weight and gained a mean nasty personality. After those 'girl' issues are put aside and Tatum's annoying 'bro-ship' is stopped, things get a whole lot better. Its a shame this was all too near the ending. 

Psycho vs Psycho

As Halloween draws near, lets all remember the film that really did scare audiences out of their seats. All it took was a shower scene (I bet you've guess it), mother issues and a brilliant score.

Please be aware this post contains SPOILERS.

Alfred Hitchcock's Psycho. And Gus Van Sant's pointless remake of the same name.

In recent years there have been a few things said about Hitchcock, his controversial ways of treating his actress', they way he worked and his subject choice in films. Both BBC's The Girl and Hitchcock starring Anthony Hopkins tried to explore these issues. Both set around the filming of different films and both expressed very different images of the great director. No matter what he was like as a person though, I will always admire him as a great director. Which why I feel sick to the stomach when I hear talk of his iconic films being 'remade'.

Why ruin a classic? I don't think the argument 'to bring it to a new audience' is good enough or actually a good enough reason at all. A new audience can appreciate older films. The 'old' audience will just hate the 'new' version. If people don't like 'black and white' films, then that's just what they are like. I find it hard to change people's minds who say that. Those who love and appreciate film will make the effort but there is no use in forcing people.

Psycho (1960) was adapted from the novel of the same name by Robert Bloch who was inspired by the real life crimes of serial killer Ed Gein. The tale of the making of Psycho is sordid but that's what Hitchcock went for. Anyone out there seen 'Marnie'? You'll know what I mean.

Psycho begins with Marion Crane, a secretary who steals money from her employer and hits the road. She plans to meet her boyfriend, who is in on the scam, later. She hides out, or plans to hide out at The Bates Motel. She meets the owner, Norman (Anthony Perkins). He seems friendly and normal. He lives with his mother at the house that overlooks the motel. Of course things do not go to Marion's plan.

Killing off the lead actress, even before the film is half way through was big deal back then. Janet Leigh was nominated for her supporting role at the Oscars, as well as Hitchcock for Best Director. He lost out to Billy Wilder for The Apartment. Not only having a famous actress take a small but defining role made the film a success, but casting 'against type' for the (SPOILER) serial killer himself Norman made the ending all the more a surprise. Unfortunately, after the film was released, Perkins was inundated with villain roles, type casting him forever.

Everyone remembers the infamous shower scene where (SPOILER) Marion is knifed to death by Norman Bates' mother, supposedly. The music for this scene, makes it a chilling memory that no one can forget. As well as other famous scenes in the film, the second most chilling is the last shot of Norman Bates (SPOILER) sitting in a jail cell, after being arrested for the murders, staring into the camera, being both his own voice and his mother's.

Having a classic like this, remade in 1998 by Gus Van Sant seemed pointless to me. Supposedly, the film is shot for shot. I saw the remake years ago when I was 15 or 16. It was at a low key Halloween party. Watch a 'scary' film and eat lots of popcorn. I can't remember the other choice of film but I did get excited when I saw 'Psycho'. That's because the film fanatic in me thought it was Hitchcock's. I was severely disappointed to find it wasn't.

My first thought was 'this looks so cheap' and 'what the hell is Vince Vaughn doing in this?'. My opinion didn't improve either as I knew what was going to happen. There were a few jumpy moments and I'm sure it isn't shot for shot exactly. There updates in technology used as the film is set in the then present day and there is more explicit content too. During the murder scenes, surreal dreams were intercut, another unnecessary aspect of the remake.

Where Hitchcock's film was highly successful, critically and commercially, Van Sant's failed utterly.

The cast was not impressive, even though I am a Julianne Moore and William H Macy fan. They played Marion's sister who looks for her and the P.I who's sent to recover the stolen money. Vince Vaughn was a 'casting against type' actor but he's not a strong actor. Although I am glad to hear he's taken on a serious role in season two of True Detective.

Hitchcock's Psycho has spawned two strange sequels, a failed TV movie and now a successful TV series, Bates Motel set in modern day and bares next to no connection to the original film or source material. I watched the first episode and didn't think it worth my time.

Classics like Psycho should be left alone. Preserved, not forgotten and destroyed, in that order.

In this round of original vs remake, I think it's painfully obvious, it Hitchcock's win.

#Halloween #Psycho #Film #OriginalvsRemake #Cinema #blog

BFI Film Festival - White Bird in a Blizzard

A late evening showing of Gregg Araki's White Bird in a Blizzard, adapted from the novel of the same name by Laura Kasischke, may have seemed like an odd way to end a day but it was strangely peaceful.

After the delights of Kaboom, I was looking forward to this next venture, especially after the trailer. It felt to me, a little bit drama, a bit of suspense and then that touch that Araki seems to have where even the most traumatic experiences seem peaceful, for this film, its the disappearance of a parent.

With a great cast, a brilliant atmospheric soundtrack (yes, I said that) set in 1988 and 1991, to me this was period piece that felt understated, no overly obvious cultral references were screaming out and that gave room for the (I thought so) simple story. A teenage girl relates her memories from when her mother disappeared one day when she was 17. To me, this film was not about the actual disappearance, it was more about memories and lack of true emotions, especially from the main character. That's what made it such an intriguing film. I couldn't tear my eyes away from the screen.

Kat (Shailene Woodley) narrates the story, stating what is said on the poster, 'I was 17 when my mother disappeared'. Her mother (a brilliant character from Eva Green) is crazy, repressed bitter women. Kat relates memories of her parents, some she wasn't even present for and later, more recent ones that give a background and set up for the present. Then one day her mother is gone. Her father (Christopher Meloni) is quietly distraught or in shock, sometimes its hard to tell. But Kat carries on as normal, apart from her strange dreams where she sees her mother. It's a very visual film, especially in flashbacks and the dreams sequences. I don't want to give too much more away about the story, it's something that you should watch and interpret (unless you've read the book) for yourself.

As the film is set in late 80's and early 90's, I loved everything Woodley was wearing. Mixed with the amazing soundtrack, I was in throwback heaven.

After this film, I am very much looking forward to seeing Araki's next film, as the more I see, the more impressed and immersed I am in his style.

#film  #cinema  #BFI  #LFF  #WhiteBirdinaBlizzard  #blog  #filmfestival 

BFI Film Festival - Spanish Affair

I admit, this breaks my 'rule of three' rule, sort off. The poster ruins it but, in a way, I can still argue that this is really about 3 people, plus so many lies.

I read that this film had broke records at the box office in Spain and thought the premise sounded amusing. Most of the people going into the screening were speaking Spanish and I started to worry because, to quote Ron Burgundy, 'I don't speak Spanish'. I thought for a horrible moment there was no subtitles. I calmed down once I had reached my seat when I heard a few English voices.

From the first few lines, people (mainly the Spanish viewers) were laughing their heads off. I thought I missed something but again, more laughter. I didn't get it. It seemed that most of the jokes were very, Spanish. A little bit into the film, I understood what the jokes were but throughout the film, there were a lot of references that, I think, only a Spanish audience would know. Despite this, I still really enjoyed it and I was laughing out loud at the universal jokes.

Spanish Affair is Directed by Emilio Martínez-Lázaro, the film starts with Amaia, who has been jilted by her fiancé, Anxton, but her friends still decide to take her on her hen night. They choose a bar far outside of their home town in the Basque country and Amaia gets very drunk and argues with the barman, Rafa. But of course, they end up back at his place. In the morning he decides to follow her to win her over. Rafa ends up having to pretend to be Anxton for Amaia's father, so that he doesn't know she was jilted. What follows is classic romantic comedy, lies, pretending to be other people and of course a wedding. 

The rule of three refers to Rafa, Amaia and her father. Plus lots of lies. 

I'm not actually a fan of romantic comedies but after Obvious Child, which was one but better, I wanted to see this film. It was typical but not for me as there were, as I said, quite a few references to very Spanish things. The actors were all hilarious and the setting was beautiful and it was a laugh. I can see why it was so successful in Spain and I'm hoping that means theres a release date for the UK.

BFI Film Festival - My Old Lady

Each year, the film I see there always seems to be a theme. Two years ago it was all about 'fathers', last year seemed to be about personal journeys usually centred around a young guy. This year seems to be the rule of three.

My second screening was at one of my favourite cinema sights, Mayfair Curzon, such comfy seating but very small foyer. The film, from the Journey section of the film, My Old Lady, adapted from the play of the same name. Tragic and in some places humorous, bitter sweet to taste and the cast, no one under 50. Brilliant. Sounds strange to say, but it was a film with damaged characters you do care about but I didn't tear up.

Kevin Kline, Dame Maggie Smith and Kristen Scott-Thomas (forgotten how good an actress she is) are the players. I say players because the film felt like a play, but I'm glad I saw the film version. Jim (Kline) arrives in Paris after his father's death and goes to the apartment he was left in the will hoping to sell it. Jim is nearly 60, divorced three times and has nothing in the world except the apartment. But it's is a "viager", which is an old French system for buying and selling apartments. A property bought cheaply but the catch is, a old person resides in it. The occupant is Mathilde (Smith). When Jim says he wants to sell the place, Chloe (Scott-Thomas), Mathilde's daughter, has another plan.

The set up seems simple, the characters you've seen before and a story that seems to have a simple or little solution. But, just like a play, after the surface is scratched, more information is given, the truth comes out and finally a satisfying conclusion. 

The rule of three that I refer to is that the story at first seemed to revolve around just Jim and Mathilde but the poison of history soon infects Chloe. The story is lighthearted at first, Jim is portrayed as selfish, Mathilde as naive and gentle, Chloe as bitter but the revelation about the apartments sale origins, Jim's childhood and heartless father, the tale quickly becomes tragic for everyone. Two adults' lives are ruined and a naive old lady thinks they did the best thing. The line 'it was different times back then' couldn't be more hurtful and careless.


Thankfully, after all the truth is out in the open, the characters can heal and the ending, though a bit too sped up for liking, makes sense and is lighthearted once more. At first I was puzzled why the film was in the 'Journey' section but this is a personal journey and a brilliant film.

It was great to see Kevin Kline again too in a much more sensible role than the ridiculous  roles in 'Last Vegas' and 'No Strings Attached'. Maggie Smith was also impressive as Mathilde, a woman with a vibrant past who had 'modern' views, even 'back then'.

BFI Film Festival - The New Girlfriend

The festival has come and I'm a little sad. I'm not going to that many screenings this year and I am very tired all the time, the joy has been taken out of me - I blame working all hours of the night and day.

Anyhoo, on with the films!!!

My first screening was The New Girlfriend, being screened at Cine Lumiere, which I had never been too. Although I was stunned (in a good way) by the film, I was disappointed by the venue. 

A short walk away from South Kennsington, the cinema is the Institut Francais du Royaume-Uni and so the surrounding areas and places to go were French related. Great. No so great if you want to buy a simple coffee to enjoy with the film. Then, when I gave up running around in the rain and decided to buy an expensive tiny cup at the cinema, I was told no food or drink in the cinema. That's it I thought. I had been up since 4am, it was then 6pm, I needed caffeine. Luckily the film and its characters kept me awake.

Directed by François Ozon and starring Romain Duris, who seems to be in everything lately, and Anaïs Demoustier. After reading the description about the film in the catalogue, I decided not to read too much about the film. But the description about it being like a Douglas Sirk film made me curious, I watched the trailer. I booked a ticket.

Set up slightly like a bizarre thriller but really a melodrama filled with so many mixed emotions its a surprise that any of the characters knows how each other feels. It was brilliant. 

Like all the reviews, I don't want to and can't give too much away about the story because it would ruin the experience. Claire (Demoustier) is grieving for a best friend, who's shes known since childhood. She has promised to watch over her husband, David (Duris) and young daughter but after she discovers a secret, she herself has to start lying to her own husband (Raphael Personnaz).

Normal life and repressed emotions are played out side by side, sometimes in very awkward scenes between the two leads. Friendship and understanding of each others needs and desires are slowly discovered but not quite accepted, especially on Claire's side. She harbours deep down emotions that were never really allowed to surface. The melodramatic elements of the story and characters are easy to identify, as well as light humour but its the suspense that I thought made the story about from the same old plot, as well as the brilliant shock moments. A critic from The Hollywood Reporter described this as being similar to the suspense Hitchcock created. I thought the score played a large part in this effect.

A brilliant film and an interesting start to my festival experience this year.

September Watch List

1. Life of Crime 3/5

This was an interesting film with an unusual mixture of actors, some playing unpredictable characters. For example, Jennifer Aniston plays a sort of trophy wife, who her cheating, rich and possibly doing something illegal husband Tim Robbins hates. He plans to divorce her and marry his mistress, Isla Fisher. She actually plays a predictable part. John Hawkes also plays out of character, one third of crime team who kidnaps Aniston and blackmail Robbins for money, they know he's done something illegal with his development schemes. But the catch is, he doesn't want his wife back. That's where the plot begins. Apart from the creepy Nazi loving third of the kidnappers, the film is really enjoyable and Aniston is really good as Micky. Unwanted wife and wanting to leave her husband as much he wants to leave her. It's quite amusing in some parts too, especially with Will Forte who is just an idiot. Not predictable in anyway, an enjoyable low key crime drama with minimum violence.

2. Obvious Child 4/5

At first, the trailers annoyed me. It felt and sounded like a predictable story. Funny woman, loses man, has a one night stand becomes pregnant now her life is ruined. I don't understand why most stories about women 'going through something' have to involve them either getting pregnant or their wedding being put off. Those seem to be the two choices, but saying this, Obvious Child is not so obvious. Yes, Donna (Jenny Slate) is a stand up comic where her gigs are at one place and she loses her job in a bookshop after it closes down and yes, he boyfriend has been cheating on her but after she has a one night stand with an adorable guy, she finds out that she is pregnant. She decides on the spot that she wants an abortion and its not a big deal. This is why I think this film. It gets on with life. It is a romantic comedy but its a clever and bearable one and feels more realistic. Not once did I say out loud, 'as if'. When I went to see it, the woman who severed me said 'oh, you do know what its about right, it's been difficult to explain it to people.' The film doesn't centre on what would sometimes be the plot of the whole film and its really about Donna trying to come with a new routine and telling the adorable guy she's having the abortion without the awkwardness. 

3. Sin City: A Dame to Kill For 3/5

Its a film I've been waiting for almost a decade and it turns out its a film that could have been better. Sin City, is my favourite film. I ave several reasons, one of them is that the source material was so new and gritty and the characters, while all grimy and glossed in noir-isms, all were distinctive and different. This film is good, but its not the same. There is just must going on, the different stories do not blend well together. In fact all but the title story wasn't needed which is a shame because if had just been 'A Dame to Kill For' they could have expanded the story. I loved the book but this felt too loosely made. I think Robert Rodriguez left it too long between films. Especially a few keys cast members had died since the first film, which is a shame. Too many recasts. Still looks good though, like watching the graphic novel.

4. Let's Be Cops 2/5

Film Rant video - verbal review

5. Adult World 3/5

I must be like my sister's old English teacher, I do love John Cusack. I know he's in Maps to the Stars playing a similar tempered character but in this he's a bitter washed up poet, admired by Emma Robert's aspiring poet. I love Cusack in Grosse Point Blank and other back in the day roles but lately, its been murder this, murder that, seeing him as a bitter poet is slightly better though. Simple story, Roberts wants to be a poet, set her mind to it so much that she still lives at home and has no job. Her parents kick her out to spur her on. She finds a job in a porn shop, the shop in the title where she made friends with a transvestite and the her real life boyfriend Evan Peters. She also manages to stalk Cusack, the poet she worships. Its great little tale of growing up and shit poetry.

6. Maps to the Stars 3/5

Film Rant - verbal review

The Afternoon Movie: The Phantom Tollbooth

I think it's time to go back to the 70's and experience the weird and wonderful world of number, letters, time and learning lessons while having fun of, The Phantom Tollbooth.

I don't actually remember the first time I saw this action into animation film. I don't even recall if we taped it and I re-watched it all over again and again or it was TV quite frequently. I know in Uni, someone mentioned something about time and started sing the song from the film, then I found it all on Youtube and sat there and watched the whole thing.

The strange but brilliant film came to my mind again, this time because something at work made me think of 'The Demons of Ignorance'.

The 1970's live action and animated American film, adapted from the novel of the same name by Norton Juster, starred Butch Patrick of The Munsters fame.


The film begins with our hero, Milo, returning from school bored of learning and bored of everything else and as he speaks to his equally bored friend on the phone, queue a giant mysterious box landing in his living room. This is THE tollbooth.

After a brief introduction and very little information, Milo is instructed to pick a destination and be on his merry way. For the purpose of this journey he becomes an animated version of himself and brilliant. Anyone watching it for the first would think the artwork looks tired and dated and in fact the animation studio that made the film closed down immediately after the release of the film. The film was a success so the closure had nothing to do with the film.

Milo drives his little red sports car along the crazy roads, passing through towns and cities such as, Expectations, Dictionopolis and Digitopolis. Every destinaton and character Milo encounters seems to either give friendly advice, hidden with life or academic help or deter him from his path. Mostly the former.


This is essentially a road movie to teach children that they can learn in a fun way and the more knowledge you have the more confident (and happy) you'll be. The other lesson is instead of being bored, come up with a plan or idea and have an adventure, but that really is sugar coating it.

As well as interesting characters, such as Tock, the watch dog who saves Milo near the start from The Doldrums, a place where you end up if you stop thinking, is dog with a giant alarm clock in his belly. He teaches Milo not to waste time, as time is a gift. This the point I should mention that there a few songs in the film but they are brilliant and I think the animation is great, there is even a reference to Dali's melting clocks.

The plot of the story comes to shape when Milo meets the two kings. On his way through their kingdoms hes noticed that everything is confusing and makes little sense. The reason for this is that King Azaz and his brother the Mathmagician argued over what was more important, words or numbers. They asked their younger sisters, the Princesses of Rhyme and Reason and they said they were equally as important as each other. The Kings did not like this answer so banished them to, The Castle in the Air. Milo convinces them both that he needs to bring the Princesses back. The road trip then turns into a rescue mission with some learning along the way. Milo has to get through 'The Mountains of Ignorance' which are inhabited by the demons of ignorance. Milo literally has to fight his demons to get to the castle.

The films boasts a large host of smaller moments too, such as the the conductor of the skies, Croma the Great who actually conducts the morning and evening skies. Another small moment is in the Words Market, there is stall called 'Half Baked' ideas which I thought was a nice touch.

Unfortunately this film was never released on DVD in the UK but it can be enjoyed in US and on youtube for all to see.

I think my next step is to read the book as its such a brilliant story. The author was influenced by Lewis Carroll's Alice in Wonderland and none other than the Marx Brothers. Watching the film, you can definitely both influences.

Next time you're bored and think you have nothing to do, don't lounge on the sofa, unless you want the tollbooth to land.

It's All About The Schedule

I have to thank my sister a thousand times for last week. I feels like it was ages ago now seeing as I am a tad late with post this week, apologies all round. Since my birthday, in fact a bit before that, I have been quite busy.

I've started German lessons as work so Tuesdays basically do not exist. I've been trying to be proactive so I've booked a refresher driving lesson for this month so I won't be yelled at by my parents. Long story there. I have been catching up on Haven so I was ready for season 5, actually so many new shows are starting plus the returning few. I have also been clearing out my room, sort of. I've tried to get rid of things but every time I look, its all papers and scrapbooks and useful bits. So, I suppose you can kind of excuse me for the lateness?

Last week, actually my birthday was week before, anyway, I asked for three things for my birthday. A milk froather, which will be purchased soon, a bottle of Kahlua and BFI membership.

With that membership I was able to get the tickets and screenings I wanted, yes, of course I am talking about the return of BFI London Film Festival. I was and still am beyond excited about this event. Roughly 2 weeks of films all around London. I have been to the festival every year since 2006 when I went to see Steve Buscemi give a talk AND walked on the red carpet for the first time to see his new film, The Interview, at the time. I love the festival and scream with excitement every year when the catalogue comes out.

I have to admit, last year was amazing, I think I saw 6 films and I reported on all but one I think. I had an amazing time. This year I was unable to go wait in line for the tickets as I was at work and booked the wrong day off. My lovely sister, who I thanked at the start, went in my stead. I'm sure she didn't appreciate me sending texts saying 'I wish I was there' as the reply was usually 'I wish you were too' as in, 'I wish I never had to do this'.  But good news, I paid for a ticket to go with me to a screening as a thank you. I have 5 films booked and I am bursting at the seams I am that excited to go.

I made a schedule, like I do every year. This was to help my sister and because it looks great. Apprently, other people in the queue have their own type of schedule.

If you live in London and don't work insane hours and if you can, book a ticket to something, you'll enjoy it. BFI

Welcome to Hill Valley

I've been to The Ink & Paint Club and The Grand Budapest Hotel and now, I've been to Hill Valley, thanks to the Future Cinema and Secret Cinema gang.

They truly have out done themselves this time. When the Back to the Future tickets went up for sale no would have guessed the trauma when the event was cancelled for the first few night (rumoured there were rights issues) and the amazement when people saw the pictures, they built an entire town, Hill Valley.

Everyone knew where it was, the clock tower could been seen from far around. Apart email from all the prospective stores in the town, all set in the 50s, just like the film. We all got dressed up in as 50s gear as we could and adopted our town identities.

The journey began when we were told to meet at a certain station, from there we were greeted and shown the way by several people with red sashes. Our first marker on route was a sign saying 'Hill Valley 2 miles'. This was the exact same distance that Marty McFly himself from the film had to walk when he had to first crashed landed in the time machine in the 1950s.

We could see the Clock Tower in the distance and the excitement mounted. We were greeted by other towns folk, police mixed with real security and the shown through the Peabody's Farm, complete with adorable sheep, goats and a folk band singing about guests who stood out. Luckily we decided not to bring our phones so we got to bypass the 'checking in phones and cameras' part. Although at the end of the event, there wasn't a huge queue to collect them.

We walked part way round the perimeter of the town with a 'Hill Valley 1 mile' sign to guide us. We were on Sycamore Street in no time, walking past the giant billboard for Lyons Estates and happy to acquire some beers for the walk around the houses. Each house was dressed up as one of the main characters homes, including the Tannens, McFlys, Baines' and the Doc's house. Past the latter house, we entered into the town, just like the film, complete with green grass in the square, high school, diner, many shops and of course the gigantic clock tower. I could hear 'Mr Sandman' play as we stepped in.

Although no phones or cameras were allowed to used, we were allowed to buy (from the friendly sellers in the town) a disposable camera which, I'm glad we bought as there was so much to see. Who knows if the photos will come out.

I was so excited. I know it sounds cheesy but it was like walking onto a film set. Every time one of the main characters were spotted it was great, mostly because we can interact with and not be told to go away. I really wanted to go to the funfair and eat candy floss, my brother in law wanted to eat the cheeseburger at the diner and my sister wanted to go the Enchantment Under the Sea dance. We did it all and more.

We saw the Texaco boys play games with some guests and later up in the main stage singing 'Goodnight Sweetheart'. We got told off for jaywalking and got talking to a very enthusiastic lady (part of the event). I convinced my sister to go on the ferris wheel first - before eating. It was an amazing view and even though I got a little freaked out when they were taking people off for the next ride, I still loved it.

We had a look in the school and watched one of the bands who were 'auditioning'. Looked in on the shops next door and bought some Tab, a clear version of Coca Cola. Not to my taste but it was all in the fun of the 80s. Throughout the evening 50s tunes were playing out on the 'radio' but not long before the film, the 80s burst out in the form of skateboarders and rollerblades high-fiving the crowds.

We ate out burgers in the diner and they weren't half bad but my sister was a tad disappointed with her milkshake. I was just excited t see Lou and Goldie Wilson, the mayor to be of the town, in the diner.

In fact whenever a character, from the 50s, appeared near by it was just exciting. All through the evening we were trying to spot the Doc and Marty. At first it was difficult as there were plenty of people dressed up at 80s Marty. But, once we found a spot on the green, were about to set off to look around more, we spotted him, acting just like Michael J Fox. It was Marty! Doc appeared later, wondering around the town followed by a huge group of followers.

We made it to the Enchantment Under the Sea dance and my sister and my brother in law got to dance to Earth Angel, just like they did at their wedding a few weeks ago. It was very crowded though, we stayed for a couple of songs then moved on. In the cinema they were actually playing the film, The Cattle Queen of Montana and the radio was broadcasting to the whole town, they were even taking guest callers. I was going to say something but I missed my chance.

The post office was also fully functioning, with post men and women delivering messages to guests. Behind the 50s stores and hairdressers, we ventured into the 80s. A bar serving cocktails and a live band. There was even a small pool table and they were selling Marty McFly's signature red puffer jacket. We bought cocktails and enjoyed them on the green while we watched the Hill Valley parade.

The Mayor and the radio DJ introduced Marvin Berry and the Starlighters where they played some familiar tunes, including The Power of Love, with Marty on lead guitar. It was a fantastic intro to the film. The fun didn't stop there. Scenes from the film were played out in front of us live, including scenes featuring the time machine and the Doc, zip wiring from the Clock Tower. It was just brilliant. Loved every minute of it. And I got to eat candy floss.

August Watch List

1. Guardians of the Galaxy 5/5

Not ashamed to say it, I absolutely love this film. I think its the best Marvel film so far and I even think it beats Avengers, its really that amazing. The lead up to this film from rumours to the first trailer, everyone was saying that this was going to be Marvel studios' big risk. Having smashed the US and UK box office, that risk paid off, ten times over. Unlike the other Marvel superhero films, GotG is different, not only is there only one human in the film (technically) but its the most sci-fi and set entirely (except the first scene) in space, meaning, not on Earth. It is also set apart from all the other films, which is refreshing, apart from the orb bit that sort of connects to the others, but I don't want to give anything to those who like surprises. Peter Quill (the always likeable Chris Pratt) is abducted as a child and raised an thief, basically. Apart stealing an orb on what he thinks is your average job, he meets and gets arrested with Gamorrah, an assassin daughter of Thanos (look him up, he's s big player in the Marvel universe), Groot a planet like alien and Rocket, the result of an illegal genetic experiment, thugs for hire. In prison they meet Drax the Destroyer, a maniac. That rounds up the gang. Outside of this, Ronan the Accuser wants to blow a planet. There reasons behind it but if I explain anymore of the plot, it might take the fun out of watching the film. The film is directed by James Gunn and he's made the most entertaining film I could have hoped for. I should mention the soundtrack as it is very different. Songs from 70's and 80's feature and they are perfectly out of place it works so well. The soundtrack also plays a part of Peter Quill's character as the tape he listens to was gift from his mother who died at the start of the film. To summarise, the film is better than anything I expected, its a true sci-fi movie that just happens to be part of the Marvel universe. 5/5

I discussed a theory with my brother in law as to why GotG has been so successful and why everyone loves it and agreed with this. The story is about a team, a group, all with back stories and they are all very different. The team are given equal screen and story time and they even all progress, with hope for the future. As a team they can play off each other and actual dialogue is exchanged. There is not a wasted moment in the film. This also explains why Avengers was so successful too, it wasn't just all your favourite superheroes hanging out, it was a team working together, playing off of each other with great results. More GotG please!

2. Mood Indigo

First thing to say about this film, the trailer, though delightful is misleading. The film is about weathly inventor of weird things, Colin who falls in love with equally weird and wonderful Chloe. But not too soon after love and marriage, Chloe is taken ill after a lilly starts to grow in her lung. Based on the novel, Froth on a Daydream by Boris Vian, Michel Gondry co-wrote the script and directed this. I expected the film to be similar to his previous whimsy, visually pleasing and slightly depressing with a small consolation at the end. All his films play out this way (except Eternal Sunshine of the Spotless Mind, which has, I think, I slightly happier end). But Mood Indigo is a film of two halves. The first half plays out this way but the announcement of Chole's disease will result in death, the film takes a nosedive into utter despair. Its not just Colin who suffer, all the characters do and suddenly the whimsy animatronics that surround his home and the film become tacky and out of place in such a depressing storyline turn. I was really upset by this sorrowful end. What can I say? It just got worse. The first part being so fun and promising and even funny but then nothing. I really hope Gondry's next film is back to the old forumla. 2/5

3. Divergent

Based on the novel of the same name by Veronica Roth, this film plays out pretty much how honest trailers says. Having read the book and finally seen the film, I can safely say that it feels like Roth read The Hunger Games and thought 'I can do that'. Then changed the setting and added confusing 'faction' names just to annoy her reader and got it published. The book read like she was looking for a movie deal. The film, is actually slightly better but if I hadn't read the book, I would have been very confused. Tris is a teenager who lives a in 'dystopian' society where the people are divided into 'factions'. Groups that are identified by one characteristic; Erudite the intelligent, Candor the honest, Amity the peaceful, Dauntless the brave and Abnegation the selfless. When teenagers are 16 years old, they have to choose which faction they want to be in. First they take a test which tells them which to pick but at the ceremony they can pick whatever they want. Tris discovers she is divergent, meaning she has more than one characteristic. She leaves Abnegation to join Dauntless where she finds out that there is sinister plot afoot. Same old same old. Its a pity the concept is kind of a rip off as the cast aren't terrible but Shailene Woodley who plays Tris is not a strong lead. But its great to see Kate Winslet play a villain. 3/5

4. The Pretty One 

Twins are always a fascinating, especially to those who aren't. I thought this film was going to be about sisters, one bitchy and outgoing, the other meek and sensitive. The film starts of stereotypical and after a very dramatic moment, the story becomes about loss and identity - a much better concept. Laurel is the meek twin who stayed at home, Aubrey is the twin that left and got her own life. After they celebrating their birthdays, Aubrey is killed in a car crash. Laurel survives but everything (even she does for a bit) thinks she's her sister after she got her hair cut. Hurt by the lack of impact she had on everyone (no one speaks at the funeral, not even her Dad who she cared for all these years), she leaves and starts living Aubrey's life but half as herself. Its difficult to explain but she goes through an identity crisis as well as mourning her sister. Its a surprisingly emotional film and its really well done. Zoe Kazan, who plays the twins is also brilliant and perfect in the dual roles. 4/5

5. That Awkward Moment 

I hate to admit this but this stereotypical film about three single guys or rather one guy whos marriage just ended and two really single guys isn't that bad. All the characters develop smoothly and gradually and don't just suddenly stop being a***holes because even though I agreed with them on some things, they are a***holes. The female characters in the film are also well done, they aren't needy, they don't even pursue the guys in a horrible awkward way, the guys come to them because, shock moment, they get along. In other films like this, the girls are always so bland and are only like because they are so pretty, the female characters have personalities and lives away from the scenes with the guys. Some plot elements are predictable and annoying but I suppose they are in there to fill out the film. These films are perfect. 3/5

6. Snowpiercer 

As many other have been, I have been waiting months for this film. There has been so much controversy surrounding this film, that it was too long or too violent or just not good at all, the buzz has just made me want to see it more and more. A science fiction furturistic film that warns us about the environment and over crowding, the Snowpiercer is a train with 1001 carriages. After trying to battle global warming, there was back lash causing the entire planet to be covered in snow and ice. The last survivors live aboard the train, but as with things there is class system. The passengers in the front carriages live a life of luxury while the tail carriage live in literal squalor. The great but horrific speech from Chris Evans' character near the end sums it up. Based on the graphic novel by Jacques Lob and Jean-Marc Rochette, the film was co-production between US and South Korean directed by Bong Joon-ho. The film doesn't quite follow the novel but in a way its better. The film follows all the passengers in the tail as they revolt and make their way to the front to confront the mysterious inventor of the train, Wilford. The film is brutal and bleak but the characters (and cast) are great and even though I thought the ending was just plain awful, the film, the story, is brilliant. 3/5