Saturday 16 March 2024

Dogman

 


The opening sequence of man in drag, bleeding, driving a huge truck with a pack of dogs in the back, sets up the film to be one hell of story, but very soon turns into a very melancholic tale that never really seems to quite fit together. Dogman, the latest film from genre director Luc Besson, is, on the surface an intriguing story, highly character driven full blood, sweat and tears. But delve deeper and the plot falls apart, with just great performances to hold it all together.

Full review over at Filmhounds.

Friday 15 March 2024

Snack Shack

 


It may feel a little early for a teen summer comedy to be making a splash, but Snack Shack is ahead of the curve. With a great cast, in particular the two leads  as AJ and  as Moose, and a fun vibe running throughout, there is more than meets the eye with this film from director Adam Rehmeier.

After being harangued into getting a job for the summer, teenage best friends AJ and Moose win a bid at their council to run the snack shack at the local swimming pool. Through their entrepreneurial spirit, they try to turn a profit and plan for future ventures. But when a new lifeguard, Brooke (Mika Abdalla), arrives on the scene, the boys' friendship and business are put to the test.

Full review over at  Filmhounds

Sunday 11 February 2024

Marmalade

 

On the surface, Marmalade could be just another love story, just another Bonnie & Clyde-esque scenario but something more complex lurks below the surface. 

Finding himself captured and thrown in prison, naïve Baron strikes up a tentative deal with his cell mate Otis who has bragged about being able to escape. As they formulate a plan, Baron recounts his life story and most importantly how he met the love of his life, the enigmatic Marmalade. He tells Otis of how they robbed a bank in order help his sick mother and have enough to start their new lives together. But all is not quite what it seems in the prison or in Baron’s story.

Full review over at Filmhounds.

Tuesday 6 February 2024

Race for Glory: Audi vs Lancia

 

Sport centric films can either fall by the wayside or are able to capture the attention of any audience. Motorsports might be in the latter category for the pure adrenalin and speed spectacle elements. But those films based on historical events, tend to cut down on the excitement and concentrate on the drama off the track. Race for Glory: Audi vs Lancia is based on a real championship. Anyone who is interested in motorsports, specifically rally driving will at least get some joy out of this one.

 

At the 1983 World Rally Championship, the intense and at times, petty rivalry between the German led Audi Sport GmbH team and the Italian led Lancia Abarth team comes to a head. With the Audi Quattro car a favourite to win, Lancia lead Cesare Fiorio tries everything within his power to make his  team a success, even hiring the renowned German rally driver Walter Rohrl for only half the races.


Full review at Filmhounds

Wednesday 31 January 2024

Slotherhouse


We all know the story of the creature, the monster, loose in the enclosed building. There’s no way to escape, despite there being many exits but those unlucky souls trapped inside are doomed no matter what they do. We are also familiar with slasher horror films. A mysterious person or entity kills a group of people one by one in violent and bloody ways. Mashing up horror genres with comedy isn’t something new. However, having one of the slowest animals on Earth become the creature of the feature, as well as the antagonist slasher, is one of the most bizarre twists on film.

Desperate for popularity points so that she can become her sorority’s president, senior Emily adopts a three-toed sloth, making it the house mascot. But as her popularity rises, so do the number of mysterious deaths and disappearances within the house. Realising too late the havoc and bloodshed the sloth can cause, Emily and her remaining Sigma Lambda Theta sisters must fight for their lives.


Full review over at Filmhounds 

Friday 26 January 2024

Poor Things



In the wake of Academy award nominations, the somewhat fantastical science fiction comedy Poor Things is garnering further attention, both sceptical and admiring. The outcry from many was that this was a film about a woman’s liberation told through the eyes of a man (which happens often) and on the other hand it was an inspiring look into a woman breaking free from society, filled comments on current and past depictions of society and its expectations.

Bella Baxter, a young woman, resurrected and implanted with the brain of her foetus, by the Dr Godwin, begins her life anew. As she gradually ages and wants to experience more, she runs off with a cad of a lawyer to Europe. Along her journey of self-discovery, sexual liberation, she learns of philosophy, and what it truly means to be independent.

 

Adapted from the novel by Alasdair Gray, of which is told from the perspective of the male characters, the film fully concentrates on Bella Baxter’s journey and her views of the world. We see Bella being able to break free from several constraints and that includes the male characters in the story who all seek to control her at some point. This could be a feminist story but not a universal one.

 

We see Bella breaking free from society and its expectations, but to gain much of this liberation, she had to join a brothel. It’s incredibly frustrating to continuously see this depiction of sexual liberation on screen. There has rarely been an alternative. A series of events happen for Bella to end up in this situation, but the key being, she ultimately chooses to stay working in the brothel. But at first, she is too naïve to understand what is happening as she is still, technically, young. This woman’s liberation is through sexual exploitation, firstly by the lawyer who brings her to Europe in the first place, and then by her first encounter at the brothel.

 

There is something satisfying about Bella being desired continuously along the way by all these men, wanting to control her, keep her locked away but she ends up outwitting them, or in fact taking control of them in various ways. BUT at the same time, that continuous mention of how beautiful Bella is, is also how she able to behave outrageously without consequence or severe punishment. Her ‘pretty privilege’ is not discussed at length as most are too focused on the sexual elements and male controlling women, but it is something to be noted.

 

The steampunk Victorian set period makes for a fantastical world where places and things are twisted to suit this director Yorgos Lanthimos’s film world. These are the most enjoyable elements about the films, aside from the comedic dialogue and the scenes with Mark Ruffalo as the cad lawyer, Duncan Wedderburn. But the story and Bella herself are at times, too hard to swallow and the choices made to depict a woman’s liberation feels too one note and are rather basic ideas