Presence

 

A family of four moves into a large suburban house which seems to be occupied by a ghost, a presence. This presence observes the family as they move in, their day to day and notes the cracks appearing within the family’s relationships. Rebecca, the mother, openly favours Tyler, the son, a swimming champion. She rarely has time or patience for Chloe, the daughter who is grieving the sudden death of her friend. Chris, the father tries to make up for this neglect, trying to help Chloe but he is also having issues with Rebecca, who has equally little patience for him.

Full review over at Filmhounds.

The Girl in the Pool

 

The title for this ‘mystery thriller’ really does say it all, for the story, for the execution of said story and sets up expectations accurately. Running at just under 90 minutes, you can feel the anxiety but the thrills are unfortunately non-existent.

Hours before a birthday party is to take place at his home, Thomas (Freddie Prinze Jr.) enjoys a supposed secret rendezvous with his mistress, Hannah. But leaving Hannah alone in his pool Thomas returns to find she her covered in blood and no longer breathing. Panicked, Thomas hides the body, cleans the scene and is forced to endure the party his wife Kristen has planned for him, all the while trying to figure out what happened and conceal the body that is now leaking blood from its’ hiding place.

Full review over at Filmhounds.

It’s Raining Men

Adultery can either be taken seriously, to the depths of a drama or erotic thriller or be taken with a pinch of salt. Rom-coms have used cheating on one’s partner for laughs, hijinks or an excuse for an elaborate set piece involving switching rooms hiding under beds, jumping out of windows etc. Writer and director Caroline Vignal seems to enjoy using this story element having included it in her previous film, My Donkey, My Lover and I. But It’s Raining Men leaves the countryside shenanigans behind and focuses more on the Iris’s journey through sexual satisfaction as well as trying to balance her family life. 

Nearing 50, parts of Iris’ life may be going well; her children, her successful business, but she has no sex life. Despite having a loving husband, though he seems to only be concerned with work these days, the two haven’t had sex in years. After a stranger suggests she take a lover, Iris’ world opens up. No sooner has she set herself up on an app aimed at married people, the matches come flooding in. But while she might be finally sexually satisfied, she starts to neglect the other important parts of her life.

Full review over at Filmhounds. 

The Damned

 

Eva, a young widow who has inherited a Winter fishing port in an Artic Bay, along with the fishermen struggle with a lean catch. One day as they are about to take out the boat, they all witness a shipwreck at the mouth of the bay. Unable to even feed themselves they decide not to offer aid. In the days that follow the crew end up with a larger than expected catch only for all the food to disappear the next day. Superstitions run high throughout the group as they start to believe they are being attacked by a draugr, a vengeful spirit. As well surviving the harsh Winter, the group try to stay vigilant of each other as well as whatever ghostly spirit haunts them.

Full review over at Filmhounds. 

Watch List 2024

 

Without any faff, jumping straight into the list:

1. 

This animated story about friendship, loneliness and letting go had a modest release in cinemas and hopefully will be remembered as one of the sweetest, saddest films. More about the film HERE. 

2. 

A romantic thriller with more than you ever bargained for. This film has stood out, even from last year when it was doing the festival circuit. More about this film HERE. 

3. 

A music biopic unlike anything that has come before. Celebrating the Irish language as well telling the story of how Kneecap (the group) came into being. This has been a big hit at cinemas and awards alike. 

4. 

This was a favourite of mine since LFF 2023, a new take on the found footage genre trope as well as a fresh take on possession and haunting, but at the same time the film has a nostalgic quality about it. Coming in at a tight 95 minutes the film never out stays its welcome and keeps you guessing what will happen in the end.

5. 

Dreamworks has definitely stepped up on their storytelling, with How to Train Your Dragon now in the live action business, the animation part of the studio has looked for new stories and The Wild Robot is not only entertaining and heart-warming with tears guaranteed but it feels familiar but told through new beloved characters. A beautifully animated story. 

6. 

The Palm d'Or winner was going make an impression and this unconventional comedy and tragedy will surprise even the most cynical critic. More about this film HERE.

7. 

A romantic comedy with under and overtones of horror and heavily featuring music/musical influences, its a joyful hybrid. More about this film HERE.

8. 

I wasn't convinced the first time I saw this body horror but after reconsidering what the film stands for and what I felt the film was really about, plus a rewatch, I appreciated this bizarre yet brilliant in doses film. More about this film HERE. 

9. 

A film with set in heart of one of the biggest religions yet the film isn't about religion, a murder mystery with no murder. This fascinating and strangely exhilarating film boasts a great cast and a truly brilliant conclusion. More about this film HERE.

10. 

With a soundtrack I can't get out of my head, this anti-romance horror-esque science fiction film, directed by Alice Lowe was highly anticipated and for me, didn't disappoint. More on this film HERE.

The War of the Rohirrim

 

The Lord of the Rings has a lot to answer for. As much as this trilogy has shaped cinema, whether those who dislike the films and fantasy don’t want to admit, TLOTR were three films to be admired. Changing the way blockbusters are made, stepping up the use of practical and VFX and not to mention the rich storytelling and world of Tolkien, these films have stood the test of time. However, once they had all released, they left a void that studios wanted, needed to fill. The Hobbit was made, but unfortunately three films was too much. Then Amazon decided we needed another prequel, and instead of following the many books Tolkien wrote about Middle Earth, we were gifted The Rings of Power. The show divided fans of TLOTR and the books alike. But the most irritating part of The Rings of Power is the use of The Lord of the Rings name, using like a brand. This was disappointing we; the audience couldn’t just enjoy the show for what it is, a story with new exciting characters. We are forever doomed to have the characters from TLOTR loom over these tales. When it was announced that there was another film on the horizon, this time animation and set in Rohan, there was intrigue and even excitement. But when once again TLOTR was slapped on the title, you could feel fan’s hearts sink. This branding that studios insist on having ruins the feel and tone of the film before anyone has even seen it. We are pre-programmed to expect to love what we are about to see just because of the branding. Something the studios really need to rethink. Leave The Lord of the Rings alone. By all means, create something new but stop branding it incorrectly, especially as War of the Rohirrim has nothing to do with TLOTR.

Set many years before The Hobbit, and years before The Lord of the Rings, we are told about Hera, daughter of king Helm Hammerhand of Rohan. Narrated by none other than the Shield Maiden of Rohan herself, Eowyn, she tells us of a tale about someone who could have very much inspired Eowyn’s actions in TLOTR. When Wulf, a banished son of a disgraced lord of Rohan returns for vengeance, set on killing Helm, Hera and her two brothers, the entire Rohan is threatened. After a brief battle, the people of Edoras retreat to their stronghold, a place very familiar for fans. There they try and out wait their enemies who surround them. After a series of tragedies, Hera is the one who stands up for her people and executes a plan to win back the crown and defeat this villain once and for all.

With very brief mentions of neighbouring Gondor and dig about how they cannot be trusted, along with one quick relevant cameo and a name drop. The War of the Rohirrim thankfully doesn’t fall into the same trap as The Rings of Power. The story and characters are heroic, stoic, and devastating but despite being new additions, they are far from fresh. Acting as stock characters in any other fantasy or historical drama, the story feels more like a Studio Ghibli film, complete with a ‘strong female lead’ who even mentions several times she doesn’t need a man and doesn’t want to get married. While this may seem progressive and what people think feminism is, by now, this feels old hat. Even the entire reason for the war in the first place seems like a very tired trope, with the villain, Wulf wanting revenge for his father’s death, it seems far more obvious he was annoyed Hera rejected him romantically. Thousands die - its war after all - but all because a woman said no to a man. Stripping the narrative to the bone, this is essentially what happens.

Another aspect that lets the film down is the length. A third of the film is set during a siege in Winter whether nothing momentous happens. Apart from a not so mysterious being is killing the enemy one by one. But this section drags out and it’s a shame as the action and momentum the film began with grinds to a halt and tries very hard to pick up the pace at the end but fails to rekindle the magic that could have saved it.

But it is not all cold weather and angry little men, we learn some of Rohan’s history and some mythology about certain creatures. Though the battle scenes feel and look very familiar, one is very much like the Pelennor Fields and the other is literally at Helm’s Deep (spoiler, the stronghold was named after Helm), but they are thrilling to watch, especially without the presence of Elves and the Fellowship. The animation is also the most stunning element of the film. The filmmakers have captured why we all fell in love with Middle Earth and focused in on lands that are (at first) intriguing to explore. But as for further tales of Rohan? If they were to be something completely new then they would be welcomed but of its more of the same, we have certainly reached journeys end.