Sweetness

Courtesy of Saban Films

 

If films (and books) such as Misery and The Fan (1996) have taught us anything, we know as soon as someone declares themselves as someone’s biggest fan, we know they’d literally do anything for the object of their admiration and we can assume bloodshed to swiftly follow. This set up of a famous person meets an obsessive fan usually shows us that its the average person who is the delusional one and that the famous person was just unlucky to encounter said fan. Sweetness tries to slightly switch this well worn dynamic by throwing in some extra unpleasantries, but does inevitably fall into familiar story territory.

Teenager Rylee is a devoted fan of Payton Adler, singer and songwriter for the band Floorplan. By chance she gets to meet him after a show, only to realise the recovering addict has relapsed. Her obsession with the singer becomes even more intense as she believes she can save him from his demons, even if it means handcuffing him, trapping him in her house.

Full review over at Filmhounds.

LITTLE AMÉLIE (or The Character of Rain)

 

Courtesy of Vue Lumiere

Animation outside of the major studios has been evolving. While we’ve all been slowly getting fed up with the sequels (except for Zootropolis 2) and uninventive stories being churned out, animated films have been making a huge impact. The likes of K-Pop Demon Hunters dominated last year, Flow making a historical win at the Oscars and one for the adults, stop motion animation film, Memoir of a Snail leaving an impression on audiences, animated films are evolving, or at least more are being seen by wider audiences. It's exciting to see the weird and unusual animated films alongside the more emotional and grounded stories being honoured at award ceremonies. Little Amelie or The Character of Rain is a shining beacon of hope that progress is being made.

Based on the memoir by Amélie Nothomb, the film follows Amelie, the youngest of three, born into a Belgium family living in Japan. We witness Amelie from birth, as she learns her place in the world and discovers the wonders of the world and her close bond with the family’s housekeeper Nishio-san.

Full review over at Filmhounds.

Birth

Courtesy of the Criterion Collection

 

Jonathan Glazer has carved out a niche in the film world, directed four features (so far) but each so very different as the last. Story, genre, cast and setting may divide Glazer’s filmography but the atmospheric, cold, stylised and quietly unhinged tone in each film is undoubtedly Glazer’s signature. Released in 2004, Birth, screened in competition at Venice and garnered attention, even earning Nicole Kidman award nominations. However, the film wasn’t received with open arms from the critics, citing the film suffered from a disorganised plot and rather uncomfortable scenes. With the film’s Criterion Collection release, we are offered another opportunity to re-watch this strange and melancholic psychological drama about grief and obsession.

Ten years after the death of her husband Sean, Anna accepts a proposal from her new boyfriend, Joseph. One day a 10 year old boy visit’s Anna’s family’s apartment claiming to be her deceased husband Sean and urges her not to marry Joseph. As Sean persists he is telling the truth, everyone doubts the boy’s claim, except for Anna who starts to hold out hope that maybe he really is Sean reincarnated.

Full review over at Filmhounds.