Santa Claus: The Movie

 

Fresh from the 80s is the restoration we didn’t know we needed. That Christmas film we all used to watch over the festive period and wonder why years later. Santa Claus: The Movie has everything a typical Christmas film needs; a Santa Claus origin story, a heartless toy manufacturer villain, a comedy icon using far too many elf puns, orphans ready for an adventure and some of the best costumes to come out of the North Pole. 

When a woodcutter, Claus and his wife, Anya, get caught in a blizzard, they are saved by elves who take them to their magical home in the North Pole. They are told by the elves that their arrival was prophesied and that it was Claus’ destiny to deliver presents to children around the world every Christmas Eve. Throughout the centuries, they all live harmoniously, changing with the times. But when the over eager elf, Patch, believes he needs to prove himself to Santa Claus, he runs away to modern day New York. Soon the naïve Patch ends up in the clutches of a corrupt toy manufacturer who intends to take over Christmas. It’s up to Santa Claus, with the help of some new friends to save Patch and restore Christmas.

Full review over at Filmhounds.

It's Not a Wonderful Life

Looking over past posts, particularly Christmas themed ones, I came across something I wrote about the Christmas favourite, It’s a Wonderful Life. For some reason I waited years to watch it and when I needed films for my blindspot list, I decided now (then) was the time. But this was not the film I thought it was going to be.

From the minute George is introduced, he has ambition, he wants more from life and definitely more from the town of Bedford Falls. Each time George agrees to stay behind and stay chained to the town his eyes grow dimmer and by the time George has a family and business to cope with and he’s literally lost the will to live, the fight has left him. You can see the flicker of hope disappear from his face. All his life George just wanted to leave the town and when everyone stopped him, he wanted to leave this mortal coil but he wasn’t even allowed to do that! This isn’t the heart-warming story it’s been portrayed as. It’s a nightmare.

As someone who really does love Christmas but I may have lost a bit of spark on some years due to loss, I still find joy in the season (not the holiday). I have my own traditions I like to keep to, which usually involves decorating on 1st December, making biscuits, watching my list of Christmas films, buy presents in November, that sort of thing, as well as my family and friends’ traditions. I do love Christmas but, I cannot bear the thought of It’s a Wonderful Life as it fills me with sadness. I’d much rather watch the Moonlighting episode ‘It’s a Wonderful Job’.

I always saw Frank Capra's classic as a beacon of hope and Christmas cheer and that's how it was sold to me. Of course, as I got older, still never having seen it, I read that George, our hero, goes through a 'Christmas Carol' type deal but just with the future part, where he sees what lives would be like if he hadn't been born. The fact that George was about to kill himself by jumping off a bridge only having to jump in any way to save an old man, his guardian angel, puts a downer on the whole story. George is pushed to his limit when he steps up to that bridge, having had to miss out on countless chances to escape his hometown, where I'm sure he would be far happier. He is always making sacrifices and always 'doing the right thing' for everyone else, it's no surprise he ends up on that bridge. He's meant to be saving his town, friends and family from the evil Mr Potter but how has it come to be George's problem? The visit to 'Pottersville' just mounts more pressure on George than ever. Seeing that yes, he may have saved people, or changed people's lives, but I still can't shake the fact that it is all at the expense of George's real happiness. What I would have liked to see is what if George HAD got to live his dream, what would have his life been like?

Maybe there is an alternate universe where George escaped Bedford Falls, left his brother and uncle to take over the business and he ran off into the sunset. Maybe even with Mary. But if he had done that, there wouldn’t have been a film.

Dial Code Santa Claus

3615 code Père Noël, aka Deadly Games, aka Dial Code Santa Claus, aka Hide and Freak, aka Game Over. The many named horror thriller about a boy genius vs a psychotic Santa Claus who play cat and mouse in a mansion gained cult status after its brief 1990 release in France. Having only seen the light of day once again with a Blu-ray release, now 4K, from American label Vinegar Syndrome, now more people can enjoy this bizarre Christmas film and add it to the pile to watch each year. 

Full article at Filmhounds HERE.

Merry Christmas

Every year I watch a Christmas film I’ve never seen before, may be old or new. The added tradition now is I add the latest Netflix Christmas film too, but this year only a series caught my eye, Dash & Lily which was exactly what I had expected from Netflix. Wholesome, teen orientated romantic, family drama with a smattering of comedy. It got me in the Christmas mood at least. Instead of adding one more film to the mix, I ended watching several Christmas films I had never seen before. In these times, what else was there to do? I can at least savour the fact that I got to watch two favourites in the cinema before we were all deprived of that joy.

 

One film in particular has stayed with me throughout the month as I saw it in the first week of December. Released last year, on Netflix BUT not the typical Netflix film, Klaus. No idea how I missed this film last year. It is one of the most beautiful animated films I’ve seen in a very long time (Wolfwalkers aside here, this is Christmas). It tells the story of how Christmas was started or at least how the myth, the legend, the story of how Father Christmas was created and not from his point of view but from a spoilt arrogant postman sent to the back of beyond as a punishment. Rolling into one film a Scrooge type character who begins his quest to post 6,000 letters in a year by getting the children to send letters to the reclusive, woodsman who makes toys. The story isn’t forced or cliché as it unfolds, its magical, heart-warming and doesn’t go over the top. Even the side plot about the rivalry between two families in the town doesn’t derail this very wholesome tale of friendship, gift giving and yes, letters. The filmmakers even manage to include folklore and the Sami people too.

 

How on earth did this film lost out at the Oscars to Toy Story 4, which wasn’t the greatest, I’ll never understand. But at least the film will get a lease of life every Christmas season and hopefully more people will enjoy and know the wonder that is Klaus.

 

 

Wishing you all a very Merry Christmas wherever you are!

 

Neo Noir: Batman Returns

 

My Christmas contribution last year was an ode to the beyond amazing Catwoman played by Michelle Pfeiffer but in recent weeks, while gathering up films for the upcoming follow up to Noirvember (still going by the way over at Little Sister) which will be Neo Noir, I noticed in a list Batman Returns was included. Rewatching Batman Returns not as 'just' a superhero film or Christmas film but as a neo noir genre film, was not exactly eye opening but more of an 'of course' moment. There's crime, bloodshed, murder, kidnapping, Christopher Walken and Catwoman is a perfect femme fatale. All that's added into the story are costumes and a batman cave, everything else is a very neo noir filmscape that engulf the whole of Gotham. The name of the city even screams neo noir!

There were a series of Marvel Noir comics that were released where the characters were put in a diferent setting, but Batman doesn't really need to be altered than much. There aren't even any real super powers in Batman, its all gadgets, technology and child abandonment. Although Catwoman has the only super charged experiences, being pushed out of a window only to have her fall broken and lots of cats reviving her, this could be seen as a super powered moment. This aside, Gotham and the residents could be in a permanent film noir story.

If you'd like to read more about Catwomen, check out last year's post HERE.

 

For more #noirvember & #NeoNoir follow @little_sister_filmnoir

Watch List: September/October/November

This Autumn has been a strange one, what with the job hunting, doing the whole of LFF and then dealing with the come down which happens every year. I see so many films crammed into a few weeks I need a break. However, there are still a few more reviews from that festival I want to post BUT these might have to wait until cinema release dates. Other than festival films, I haven't ventured out to the cinema much. Missed lots of films too. But these are the ones I've seen over the last 3 months outside of festivals.

SEPTEMBER

 After champion swimmer Matthias insults a reporter using a homophobic slur, he is suspended from competing again unless he apologies and coaches the male water polo team for the Gay Olympics. A highly unusual premise and with a host of great characters, this is more than just a feel-good sports film with an LGBTQA+ focus. This is a story about friendship and about supporting your team no matter what. A rather personal story from writer directors Maxime Govare and Cédric Le Gallo, as the latter, who after he came out joined a water polo team just like in the film and felt a part of a community. Not sure if the team did or will get a wide release or whether it’ll get a DVD release at least. 4/5

Greta

Missed this one at the cinema and so glad I caught this on DVD release. I wrote about it in depth for Halloween which can be read HERE. 3/5

OCTOBER

Joker

I don't want to make you read any more than what I wrote HERE so there it is. 4/5

Shirkers

This was a documentary that had been in my Netflix queue since it was released. The mystery behind the disappearance of the feature film Sandi Tan and her friends made when they were teenagers and the man who had helped them but also disappeared was a mystery that had haunted director Tan. But as the story unfolds, home truths are told as well as how Georges Cardona had behaved with other people who he had ‘helped’. Comprising of a mixture of footage from the original film and interviews conducted decades later. The fact that everyone knows each other quite well, there is no holding back which gives the film and the story overall an extra added layer of truth despite the main mystery never being told, only speculation is left. 3/5

Brittany Runs a Marathon

 I wrote two posts for this, one from the Birds Eye View screening which can be read HERE and one review for Vulturehound. 4/5

The Laundromat

 I was surprised to see Steven Soderbergh ‘s latest suddenly arrive on Netflix and was eager to watch it BUT it comes across as less intellectual ‘The Big Short’ even with the natural charisma from Gary Oldman and Antonio Banderas the film lacks a direction and instead feels like several different stories that don’t quite knit together and because of the subject just left me very angry and dissatisfied.  2/5

Apostle

As someone who tries to avoid horror films, I’m usually drawn in if it’s about cults, ghosts or is actually a psychological thriller. As ‘Apostle’ is a period piece set on an island and involves a cult that has kidnapped a wealthy woman and holding her to ransom, I’m going to be intrigued enough to watch it. Finding out that there is something far more disturbing in the barn and that there is a supernatural being, the guardian of the island, who is behind the cult like mannerisms, is horrifying and again, much better than I could have hoped for. A mixture of ‘hell is other people’ and ‘there’s something nasty in the woodshed’ vibe, I was surprised and honestly, scared. 3/5

I Do....Until I Don't

 I love Lake Bell. I loved her first feature BUT I couldn’t get into this story about an arrogant British filmmaker who wants to prove that marriage should be a 7-year contract which is open for renewal from both parties. She essentially wants to prove that marriage is dead. Then there are three couples, who have their own issues but overall love triumphs. The plot is all over the place and soon loses any connection, with everything being neatly tied up at the end and not really making much sense. I’m really hoping that her next film gets a proper release and is more like ‘In a World…’. 2/5

NOVEMBER

Doctor Sleep

 ‘The Shining’ is a film that rightly holds its status as one of the greatest horror films and a story I didn’t think needed a sequel but clearly creator Stephen King thought otherwise by writing about what grown up Danny would be like. Apart from being traumatised by events at The Overlook Hotel, he descends into drink and drugs and violence. His turn around and how he harnesses his ‘gift’ to help others feels genuine and it comes as no surprise that there are other kids just like him and that there is a beyond sinister group of people who hunt them. Rose the Hat is terrifying and is one of the best villains cinema has seen in a long time. Praying on children and torturing them, makes this a horror film but it also plays out like a thriller when Danny meets Abra, a young girl with great power. They work together to try and stop Rose the Hat as well as trying to find where they buried their last victim. With nods to Kubrick’s film, this is no nostalgia trip, but more like a last stand. 4/5

Support the Girls

 Set over one day, Lisa is the manager of one those sexist sports bars where they only hire girls and make them wear skimpy uniforms. I am not a fan of these kind of bars. However, this film not only humanises the staff, not to say that they aren’t but this is a flipside to how the staff work day to day along with all the bs they put up with. This is also another excellent example of Regina Hall just being brilliant. The more films I see with her in, the better. 4/5

Ideal Home

 This had been in my Netflix queue a long time. I had originally wanted to see this in the cinema BUT I don't think it got a proper cinema release which is criminal. Paul Rudd and Steve Coogan are a constantly bickering couple who work on a cooking show, Paul and Erasmus. Paul produces, Erasmus is the host. Their somewhat perfect life but by no means not perfect marriage is thrown a curve ball when Erasmus' grandson arrives and has to stay with them. The premise is not new but the characters and how they bond is brilliant. I enjoyed this far more than I thought I would. Very funny and equally frustrating, mostly because of Coogan's character. 4/5

Let it Snow

 My thoughts on this particular Christmas film can be found HERE.  3/5

One for the Money

 In all honesty, this film did not have my attention. I was bored after 10 minutes and I really didn't care what was happening. I thought the voiceover was completely out of place until I found out the film is based a popular book series. There was no chance this film would spawn a franchise. It gets the bare minimum because Sherri Shepherd is great and deserves better. 1/5

Obligatory Christmas Netflix Film

This was meant to start off as a quick round review of films from the past month but seeing as I haven't written a 'watch list' post since August, I'll save that for another time. I just wanted to write something new this week. My Star Wars writing flow hasn't begun yet.

This post also goes against my rule about 'no Christmas films until December 1st' but in my defence, for some reason, I didn't know the film was set on Christmas Eve. From the trailer it just looked like it took place over a few days during the Christmas break.

The Christmas (not holiday season, it’s the Christmas season) season usually kicks off late November BUT this year, all round everywhere was getting into the Christmas spirit or at least trying to force people into it in October. The blood, guts and ghosts had barely even been taken out for Halloween before everywhere had started with Christmas, it felt like Halloween was being shoved under the stairs this year, barely making a mark. My guess is that everyone is eager (like me) for this year to be over, so bring on Christmas. And that wouldn't be complete without the obligatory Christmas Netflix film, this year, its 'Let it Snow'.

Beginning and ending with a voiceover from Joan Cusack, as the supposed voice of reason (?) but really, she's a tow truck driver who wears tin foil and won't explain why, she only really interacts with one character so her role, even from the start, is odd. But I like Joan, so I'll let that one go. Its Christmas eve and various teenagers are going through various stages of angst. It’s snowing and the town looks like a wonderland BUT of course with snow there are snow storms so no many cars on the road, followed by a few accidents and reasons for Joan Cusack to pop and tow a vehicle. Rather than a blanket plot, the film is separated into vignettes, which is in some ways is good as it offers the chance of sweet moments but on the other hand, there is no momentum throughout the film. Having a teen film be this relaxed is unusual, there is no sense of 'this is the be all and end all' of nights, which makes this an easy going Christmas film you could have on in the background of a party, which is amusing to say seeing as there is a party at the end of the film.

The stories within the film are centred around couples and friendship but mainly about romance which is to be expected, this is a teen film, on the verge of being a different genre. We have the best friends who are obviously in love with each other, the girl who's super obsessed with finding out where her boyfriend is and her best friend who is trying to make her see she deserves better, then that friend's secret romance with 'I've got feelings for you' for a cheerleader, the guy who just wants to throw a party and the famous singer who happens to be in town alone who meets the girl who doesn't know whether to go to college or not. Out of all of these characters, DJ K*Pow$ is the most fun even though all he wants to do is impress another DJ by having a party.

With moments of sweetness, outweighing the blandness of the overall feeling of the film, the little tiny moments of comedy are welcome and actually start to make you enjoy the film despite the very obvious ‘messages’ it is sending and the very obvious ending for all the characters. As an incredibly easy watch, it doesn’t quite have the Hallmark touch like the previous Christmas Netflix films and wouldn’t fall into the terrible Netflix film category either where ‘The Kissing Booth’, ‘Sierra Burgess is a Loser’ and ‘Tall Girl’ live. It’s a safe Christmas feel-good film. Cannot stress that enough. But if it was going for a unique selling point, there’s no other film I know where Spiderman and (teenager) Dora the explorer make out, at Christmas or otherwise.