Wednesday, 16 January 2019

I Got You Babe


 Great love stories are hard to come by. Especially those that have the power to cause an audience to emote to the point of tears. Even when there is awful drunk old man swearing very loudly and flashing his phone light all over the room.

I've always been a Chaplin fan so never really watched Buster Keaton and only a few bits and pieces of Laurel and Hardy, but with word on the grape vine or through emails at one of my previous jobs, I found out there was going to be a biopic of sorts about famous comedy duo Stan Laurel and Oliver Hardy.

The film focuses on their 1953 tour of the UK and Ireland, which doesn't quite go as planned. Staying in dingy hotels and playing to barely an audience. The understanding is that they are doing the tour until they start shooting their next film, a spoof of Robin Hood, which Laurel has been in talks about with a producer in London, who's name Hardy continuously gets wrong. Dealing with the decline in popularity, decline in health, past arguments which they both still hold on to and their lifelong partnership, take a toll on the two comedians but not their unbreakable friendship.

Starting with a fantastic opening scene, where Stan and Ollie, at the height of their fame in 1937 walk across the studio to their set, with their backs to the camera for most of the scene, we hear them casually talking, we know exactly who they are and instantly understand what the two men are like. The film then picks up in 1953 in dreery North England where the duo are about to start a tour. The empty theatres, a sign of the times and a question of whether they should keep going. Their age, health and status are always in question, even they start to do a bit of publicity bringing success and sold out audiences. The most charming a brilliant scenes are when the two friends are alone, going over new material Stan has written or simply just comforting each other after Ollie, or as he is more affectionatly called, Babe, makes a shattering decision.


Heart aches and breaks that these two friends have shared aren't really about their many marriages, but with each other. Notably, when Hardy made a film without Laurel while the latter was in a contract dispute with the studio owner, Hal Roach. This felt like a betrayal to Laurel which comes out after a successful performance when the duo argue. But this is not a spectacle of an argument, this is quiet heated angry words followed by the throwing of bread roll. The heightened emotions of the film are gloriously understated, no dramatics, just real heartbreaking moments. With a brilliantly cast John C. Reilly as Hardy and Steve Coogan (who deserves more praise than I've seen/read) who really does morph into Laurel. Their wives Lucille and Ida, played by Shirley Henderson (always a delight) and Nina Arianda are also an amusing pair, as said in the film, two double acts for the price of one.

A great love story doesn't have to be about romantic love, the friendship of Stan and Ollie is a great love story and we get to see just a glimpse into it through this film.


Thursday, 10 January 2019

Thursday Movie Picks: The Cold


 Nothing like an ice cold thriller on winter's eve when you're all safe and warm indoors. Or in my case, actually really cold under a big knitted jumper in a drafty room. Coldest room in the house, it never gets warm in here...anyway. I went with the old theme within a theme but the main theme this week was suggested by Birgit.

Whiteout

Where's the last place you'd want to investigate a murder or possible serial killer case? Antarctica, obviously. U.S Marshall Kate Beckinsale is about to leave the frozen lands before 6 months of winter traps her and her pals there but when they discover the body of a scientist and it looks like death by axe, she decides to investigate. Good idea? I don't think so.

Wind River
Decent neo-western murder mystery with a devastating past story and present death. When Jeremy Renner, expert tracker and grieving father, finds the body of a young woman frozen to death, barefoot, foulplay is suspected. Enter literally the nearest FBI agent Elizabeth Olsen who takes on the case. Something suspicious in the nearby oil drilling site? You guessed it!

Murder on the Orient Express (2017)
Another adaptation of Agatha Christie's famous novel featuring famous detective Hercule Poirot, but alas as he is played by Kenneth Branagh, he is the worst thing about this murder mystyery upon the famous train, through a snow storm. You know the drill, a group of strangers travelling, one is murdered then one by one the suspects are questioned. Poirot then reveals all in an over the top, last supper set up scene. There are better versions of this story, seek them out.


Don't forget to check out where it all started over at
Wandering Through the Shelves

Tuesday, 8 January 2019

Novelist, Mime, Actress and Journalist


What a way to start the new year with not one, not two, but THREE British films and all period costume dramas AND all based on real people. What are the chances of that? Having been lucky to see both The Favourite and Colette at LFF last year, I will hopefully be catching Stan & Ollie later this week.

There are far too many stories about women who have propped up men's careers at the expense of their own, fictional or otherwise and say this not as someone who is fed up about hearing about them, but as someone who is appauled that there are just so many. 'Colette' is no different on the surface, as it tells the story about Gabrielle Colette who married Henry Gauthier-Villars, 14 years her senior, famous writer known as 'Willy'. With ideas at his 'factory' drying up, Willy persuaded his wife to write, thus creating the 'Claudine' series. But as Willy was the famous writer, all the novels were published under his name. As 'Claudine' rose to such famous heights, books sold out in bookshops everywhere, the novels adapted into a stage play, her picture on products aimed at young women, Colette wished for her named to be credited alongside her husband's, which he refused.

'Colette' explores her early married life with Willy, her twenties where she created Claudine, the success of her work and her wish to be acknowleged as the writer as well as her strained marriage with Willy, who, a know libertine, had affairs and even encouraged Colette's own affairs with othe women. It would seem that this story doesn't aim to shock but to witness Colette's flurry of creative and sexual desires. She experiences a sort of freedom when she writes about a ménage à trois between herself, Willy and a married woman, even though it seems as if her creative alliances come crashing down for a moment at the thought of her books being burnt. The film is occupied with three main things, Colette's beginnings as a novelist, her marriage to Willy and her burgeoning sexuality. With the author blurring the lines of her fictional character, Claudine's exploits, as the books were inspired by truth, Colette is in danger of being swept up with the Claundine hype. Her choice to take to the stage seems an odd career choice and more of a creative release.

Needing and wanting a release feels like the real theme of the story, rather than Colette just wanting recognition for her work and her husband taking all the credit. It would have been interesting to see what happened to Colette, post marriage breakdown and post Claudine, as she continued to write, most famously, 'Gigi', which was adapted and made into that 50s musical about a young girl who is being groomed to become a courtesan. But do not think that this film falls short of his dramatic and biopic service, it has a great cast, actually welcoming to see Keira Knightly back in a role that suits her perfectly and Dominic West bringing the house down with his awful obnoxious Willy. A story with more to tell and true heroine that has far more to her that what we see on screen.




Thursday, 3 January 2019

Thursday Movie Picks: Place in Title



Austraila
Go big and go home, in the nicest possible way, that what Baz Lurhmann did with his 'sweeping epic' about love, war, death, predjudice and cattle driving all set down under, starring two of the biggest stars, who are also Austrailan to boot. The story seemed to be about English settler, Nicole Kidman and strong silent man, not even given a name, called Drover, but its all about a young boy and the world seen through his eyes. Its not great, tad too long but its not bad either. 

Notting Hill
For a Londoner, upon reflection, its odd to name a film after an area of London town. To me its that's really annoying place to get to but has some cool little cafes, to my friend, who loves it there, its where she works. She's the one who takes me to said cool places. But for millions of people, its that soppy Brit-Rom-Com where a really famous actress gets together with a travel book shop owner and also where Rhys Ifans was first afflicted upon us all. I don't think I've seen a film or TV show where's hes spoke in his own Welsh accent again. Please correct me if I'm wrong.

In Bruges

The tourist trade for this Belgian city shot up after Martin McDonagh's hitman comedy came out. I knew so many people who went to Bruges and claimed it wasn't because of the film. Ain't fooling me. My sister and I went to Brussels but weren't able to go to Bruges, one day I'll go. A comedy about a two hitmen after one goes through a breakdown is so brilliantly written, cast and made, its a film that stands apart from other comedies, plus I really love hitmen stories.

Don't forget to check out where it all started over at
Wandering Through the Shelves

Tuesday, 1 January 2019

The End Is Nigh


 This might be interpreted as an ominous post, especially for so early in the new year but it isn't. This is about a fresh start and the end of of the most brilliantly created TV programmes out there.

Lemony Snicket's A Series of Unfortunate Events comes to an end, a natural end, as there are no more books in the series to adapt. The story in the books, although odd and disjointed, also had an end. The makers of the show set out to make three seasons/series covering all thirteen of the books in the original series and THAT is what they have done. No, 'lets continue even though the ploy has ended and concluded' bullshit (looking at you Big Little Lies and 13 Reasons Why). The makers of the show know when to end a story. Though Snicket wrote four prequel books 'All the Wrong Questions' about young Snicket and how he became part of VFD, there is little about the books and stories, but then again, never say never.

The series has been a masterclass in how to make a brilliant, faithfull and also creative adaptation. Having the creator the series, Daniel Handler, on board was the best move. Deciding and planning for all three series was also an excellent idea. Keeping all characters roughly the same age as they appear in the story instead of waiting months, years on a possible sequel. TV lends itself to stories such as the Baudelaire's tale of woe, misery and to an extent, adventure. With a story spanning 13 volumes where three orphans have to endure really horrible situations, are threatened with death, their parents murdered and on numerous occassions have had to save each other, on paper this doesn't read a something for children. But with a multitude of stories that are so sunny and bring and well, dull, the darkest of tales are welcome, especially as they are far more than then their collective name. Each book with an alliteration inspired title, new locations, cleverly worded lines, a narrator who gives clues rather than explanations, the books translate perfectly to screen, especially with such attention to literally everything in the books.


 But this series isn't just for fans of the books. There be quite a bit for the fans to pick up on, inside jokes but the series is for everyone who is looking for something wildly different and fantastic to watch. To those who whine and say 'but its too depressing' obviously know nothing about the show or the books. Ignore these whining fools if you are thinking of watching the show, just dive in.

Half way through the final series, coming up to the new twists and turns in 'The Penultimate Peril', I paused to write this post. The series and story have been about secret organisations and such but really at the heart of the good vs evil, its all about family, in particular its about siblings. Nearly all the major and the minor characters have or alude to having a brother or sister or both. Siblings stick together, save each others' lives, protect them from danger, even to the point of pretending to be dead if it would mean their sibling would be safe. My love for the books as well as the show gave me an idea for a further project exploring this theme. But more on that later.

Going back to the series being a masterclass in how to adapt a book or a series of books, there really is nothing like this show and the fact that it has an ending, a sense of completion on a tale that for me, having read the books and waited so long to see it brought to life, this was an adventure and brilliant storytelling and craftsmanship, a series that is far better than most shows out there. No hesitation here. It's ended well, but I'll still miss it. At least I have tattoo to keep me company after the final credits roll.

The World is Quiet Here.


 

Monday, 31 December 2018

Another Year, Another 'New' Me

Unlikely.

No flares with this post, just words.

Last year I set realistic goals rather than resolutions because I think I knew, deep down, it was going to be a difficult year. What I didn't realise was that it was going to be a difficult year all round, not just, 'I need to job hunt AGAIN' kind of year.

Last year I was in an odd place, I had been plagued by headaches and given pills to 'fix' the problem. I had also been left to guess my fate in terms of the job I was at and I was in post production on my short film. Lets just say, my optimisim was misplaced.

Over the past year I've had three different jobs (thanks to the worst manager on the planet), my health as declined, I've had to take more pills than I've had to in all my life, I've tried to save a friendship only to have it thrown in my face, my family had to sell and say good bye to my Nan's house, a place we all have lots of memories (my Nan is safe in a home), things just weren't the same this year over Christmas BUT....

On the other hand, I got to attend two very special weddings, two of my best friends got married and both ceremonies were so unique and very them. One local, one in Croatia. I offered the chance to introduce a favourite film of mine at Cinema Rediscovered in Bristol, I have a taken on more writing opportunities, covered Edinburgh Film Festival AND BFI London Film Festival as part of the press and got the whole experience. I got my fourth tattoo, it may be small but its special to me. Despite the bullshit I've put up with, the film is complete!! (but more on that later). After years of saving and months of planning I finally travelled New Zealand, a life long dream of mine (and I've still not posted everything about it!).

There is always good with the bad, so I'll try to focus on the good parts this year. With my contact almost up, its back to the job hunt. I miss the water, so back to more regular swimminng. I haven't been to the cinema enough the past two months so, back to the cinema! Trying to be healthier so back on the bike. I would like to travel more too, but with the job situation, we'll have to see. Short trips and adventures around the UK are in store though. And as for writing, I have two projects lined up and hoping that my film collective gets its break.

Hoping you all have great year ahead.

Happy New Year everyone!


Thursday, 27 December 2018

Watch List of 2018


With all the 'top ten' film lists alreday out there, mine comes in a little late. Looking similar to other lists and with a few 'obviously that was on the list' films, its been an odd year. There have been some truely superb films out there BUT they've had such a short release in cinemas it seems strange to see them listed even though the film deserve to be there.

A few surprise (for me) films have not made the final list, simply because I wanted to be brutal and only go for the '10. The Coen brothers' anthology, ahead of its time, old West film, 'The Ballad of Buster Scruggs' was brilliant, well, 5 out of the 6 stories were brilliant. I won't ramble on about how much I admire the Coens and how those who have watched the film and slated it need an education is storytelling, as you can read that HERE. Another film which rather screams 'Katie's kind of film', Assassination Nation' was a favourite of mine from LFF 2018 but I it deserves a second viewing for me to really get into it.

You may have noticed I have NOT included some truely brilliant films such as Infinity Wars, Deadpool 2 or Crazy Rich Asians. I do love these Hollywood films but I wanted to highlight other films that really deserve to be on 'best of 2018' lists:

Skate Kitchen*, Dir. Crystal Moselle

 Supa Modo*, Dir. Likarion Wainaina, The Shape of Water*, Dir. Guillermo del Toro, You Were Never Really Here, Dir. Lynne Ramsay

 Isle of Dogs, Dir. Wes Anderson, The Breaker Upperers*, Dir. Madeleine Sami & Jackie van Beek, American Animals, Dir. Bart Layton

 Sorry to Bother You, Dir. Boots Riley, Lady Bird*, Dir. Greta Gerwig, The Square, Dir. Ruben Östlund




*All these films pass the Bechdel Test


With the lack of Photoshop (I'm so lost without it) please forgive me my dull and boring pictures included in my posts from the last month.