How to Have Sex

 

There really hasn’t been any ‘teen’ movie to come out of British cinema, this rites-of-passage genre is usually saved for TV shows. We’ve seen plenty of ‘Brits’ on holiday across all stories, but sometimes its takes one focused character’s journey and the genuine emotions splayed across a big screen to really capture the essence of being a teenager, who is both strong and vulnerable. 

To celebrate finishing exams, three teenage best friends, travel to party destination, Malia for what is set to be the best summer holiday ever. 

Full review over at Filmhounds.

Beautiful Beings

 

Following up on his 2016 feature film debut, Heartstone, writer and director Guðmundur Arnar Guðmundsson returns with Beautiful Beings, a story about boyhood and friendship, tilting on the edge of destruction and ultimately a vicious act of revenge. 

After being hospitalised from bullies at school, lonely Balli is tentatively befriended by the understanding Addi, the sarcastic Siggi and the short-tempered Konni. Together they carve out an existence, trying to have fun and escaping their home lives. But after Konni’s temper gets the group into trouble with older and more violent people and with the return of Balli’s abusive stepfather, the boys have to decide if revenge and retaliation is really the way to live.

Full review over at Filmhounds HERE.

Edinburgh International Film Festival - Stop-Zemlia

Sometimes the internet is so saturated that we don’t venture outside of our own bubble. We are given a stereotypical picture of what life is like elsewhere and we don’t try to seek out stories that we can relate to. Stop-Zemlia is a film that feels partly like a documentary and part teen drama that isn’t quite coming of age and isn’t the teen drama you imagine. There are moments of peace and tranquillity followed by reckless behaviour and words of wisdom shared between friends. Its feels like a scene from a film and from your own life.

Full review is over at Filmhounds HERE.

Dramarama - BFI Flare

 

Coming out stories can vary from film to film, but when they are of the teenage variety, there is usually drama to be found. Dramarama is not a fresh take on this momentous moment in a queer person’s life but it is a familiar set up with a fun and sometimes playful story with cookie cutter characters. The group of friends feel stagnated but also comforting to watch, a throwback to being young and ambitious and when a time when everything felt like a huge step. This story is ultimately not about someone coming out to their friends but rather a last hurrah to teenage-dom and a farewell, for now, to friends.

 

On the eve before Rose leaves for college, she hosts a murder mystery party for her friends to enjoy. All into drama, musicals, literature and theatricals; Claire, Ally, Oscar and Gene, lepat the chance to play one last game before they too leave for college. Being close friends, knowing each other better than themselves, there is of course the fights, the secrets revealed and the religious discussions. All the while Gene struggles without how to come out to his friends unsure how they will take this news.

Set over one night, five very close friends spend the evening and night hashing out everything they’ve kept bottled up as well as remembering the good times, including games they played, quoting films they love and just having or trying to have fun. The group all have very clear-cut personalities which is laid out so meanly by JD, the only outsider to feature in the film. Seen as the cool drop out by some, sad and pathetic by others. Rose, the party host is the uptight one, needing to control everything. Claire is the innocent prude who is happily going off to Christian college. Oscar is the blowhard who tries to impress others but really doesn’t know what he’s doing and hasn’t quite admitted to himself who he is. Ally is the straight talking honest one, out of everyone, she is open minded. Then there’s Gene, who is going to community college and just doesn’t know how to come out to his surprisingly narrow-minded friends. At least, they are narrow minded when it comes to religion which comes quite frequently throughout. At times its uncomfortable to hear their views, especially when they play a game where they pretend to be gay and re-enact tableau of gay couples getting caught in a flashlight. Really bizarre. Maybe there is some pent up energy that the group doesn’t want to admit to, at least that is most likely the case with Oscar.

 

The better moments are when the friends are in twos, those are when they open up to each other, sometimes tentatively, but these are still the more intimate and realistic moments. No drama, just being honest with each other. It’s clear this group of friends are going to miss one another out in the world alone so it’s nice to see that arguments are not left hanging and bad words aren’t exchanged towards the end. There is an optimistic feel to the end of the film that these friends will see each other again.

 

 

Sweetheart - BFI FLare

 

Having been forced to go on holiday, 17-year-old April, but insists on being called AJ, is in a permanent state of annoyed as she made to spend quality time with her mum, her little sister Dayna, her older pregnant sister Lucy and her boyfriend Steve, whom is the only one AJ actually gets along with. But things start to look up when AJ meets Isla, one of the lifeguards at the holiday park. She starts to have a bit of fun, opening up to the possibility that the holiday might be better than she anticipated.  

 

Full review over at Filmhounds HERE.

My First Summer - BFI Flare

 

Having grown up in isolation, Claudia finds herself alone and scared after her mother suddenly dies. By chance Grace stumbles into her home and her life, igniting a friendship and special bond in both of them. But as the girls become closer, so do the police, trying find out what happened to the reclusive author who used to live in the middle of nowhere. With the threat of Claudia’s discovery coming ever closer, the girls try to make plan but can they’re new found love survive this?

 

Each of the girls crave something and when they find each other, a piece of them is found. Claudia, having grown up with just her mother and dog, Tobey for company, companionship, you can understand that she’ll behave slightly strangely towards anyone. She is both in shock and a state of grief throughout the film which is only paused once she gets used to having Grace around. Grace has a difficult home life and seeks companionship. With a neglectful mother and the uncomfortable presence of her boyfriend, she has no desire to be at home. She also doesn’t seem to have any friends. The girls give each other what they need. They’re slow and gentle cautious romance feels inevitable from the moment they meet and it unfolds at a pace befitting their characters. Nothing is done in haste, including the unfolding of what happened to Claudia’s mother. The realisation of her suicide is revealed in hazy sun-soaked flashbacks but doesn’t give much away as why she planned it out in this way. More back story for Claudia and her mother would have been helped explain a few things, including their relationship but as the focus is the girls, its given to us as an afterthought.

 

The scenes where the girls are just enjoying summer, playing, decorating Claudia’s room, eating fruit in the garden are full of joy. Even the tentative moments, as they kiss for the first time are treated with such care. It’s as if the delicate nature of which we find Claudia is expressed throughout the film. A tender first love, over the long hot summer story that weaves in elements of the coming of age genre, bringing hope that this genre can still offer up surprises.

Revisiting Girls in Love

 

As it's World Book Day, I wanted to revisit a series of books that I used to love when I was in school by everyone’s favourite author when they were 10 years old, Jacqueline Wilson. I was quite a prolific reader when I was a child, I could get through books very quick, as well as the audiobook right after. Some of my favourite presents when I was really young was getting those combo packs with the book and cassette tape. I collected and read as many of Wilson’s books as I could, even had a few in hardback, which annoyed me as they were heavy to carry around in my drawstring bag. Why have hardback children’s book anyway? As well as the books, I also had some on-cassette tape but in the years since I stopped reading Wilson’s books, probably age 14, the collection has depleted. I wish I had kept all the tapes and not got rid of them, a rare commodity now. But I was feeling nostalgic after another old tape played its last and I had an urge to revisit Wilson’s books. 

 

About 5 years ago there was an exhibition of her work at the Childhood museum, which brought back all the memories and actually spurred me on to keep the remaining books I had held on to. I was particularly wanting to read the Girls series; Girls in Love, Girls Under Pressure, Girls Out Late and Girls in Tears. I actually didn’t own the first three, they belonged to my sister and I had the last one in hardback but its stuck in a box at my parents. So, I did what anyone else would do, I bought Girls in Tears on cassette tape and spent a week listening to it each night. Listening to it with older ears, I can see/hear why it appealed to me when I was a pre-teen/teenager and also how problematic a lot of the characters are. BUT I still enjoyed it.

 

 

After the book on tape finished, I went on a deep dive into Wilson’s latest books just to see what had happened since I was 14. I also looked into adaptations of her books and how most had been for TV for movies for TV which is shame as I think some of her stories would be great with a bigger budget.

 

Girls inLove was made into a TV show in 2003 and a second series in 2005 and when it first aired, I was very excited as I loved the characters and though that the series would definitely work in TV format. However, it wasn’t what I’d hoped as so much of the story and characters were changed. There so much criticism from fans at the time, but mostly about the main characters appearance as they were VERY different from the book. I totally understand casting to be inclusive, no problem there as long as the essence of the character remains, so I had no problem with Zaraah Abrahams as Magda, she was the best out the main characters. But Nadine wasn’t a goth and Ellie was NOTHING like the original character. As you can see from the pictures, straight hair, tall, slim and no glasses. Ellie is a short, chubby, curly wild hair and although she is clumsy and sweet, she can be quite mean. This is not the Ellie I remember. I think the show got away with it claiming it’s an interpretation of the book but that s**t would not fly now. Also, all three did not look in the slightest 14 years old. They were at least in their 20s. But the show still maintained they were all in Year 9.

 

That’s another main issue I had, apart from awful casting, as this also filtered through the guys in the show, but it was the fact that not once did they wear school uniforms despite being in school in the UK. This also didn’t help with convincing the audience the girls were 14 years old. The clothes the girls wore too were all out of whack. Always colour coordinated, Ellie in red, Magda in yellow and Nadine in purple, even though the latter was mean to be a goth yet she never wore goth like clothes. Overall, it was severely irritating.

 

The first series cover the first book and some of the third book, skipping Girls Under Pressure because no one was a teenager girl worrying about their weight. Go figure. The second series touched upon a couple of things in book four then just went its own dull way. I actually stopped watching the show after the first couple episodes in series 2 as I had just had enough. I’m surprised the show even reached past series 1! Never the less, the show was released on DVD which I’m sure you can purchase somewhere or you can watch it in terrible quality on Youtube if you want to relive this terrible experience or wonder what I’m moaning about.

 

Book adaptation can be good but when they are bad, they are the complete worst thing imaginable especially if you really love the source material. I’d say, read the books, they are far better but I know they won’t be everyone’s next read.

 

I really hope that the series is revisited and maybe handled in a better way as with right casting and correct setting, you might have a hit. But I also fear that the time of Ellie, Magda and Nadine had passed. Unless Wilson wants to revisit the girls and bring them back to life?

 

 

@FansofJWilson

#WorldBookDay