Looking over past posts, particularly Christmas themed ones, I came across something I wrote about the Christmas favourite, It’s a Wonderful Life. For some reason I waited years to watch it and when I needed films for my blindspot list, I decided now (then) was the time. But this was not the film I thought it was going to be.
Thursday, 22 December 2022
It's Not a Wonderful Life
Looking over past posts, particularly Christmas themed ones, I came across something I wrote about the Christmas favourite, It’s a Wonderful Life. For some reason I waited years to watch it and when I needed films for my blindspot list, I decided now (then) was the time. But this was not the film I thought it was going to be.
Monday, 5 December 2022
Confess, Fletch - Interview with John Slattery
Just like the previous iterations, Fletch finds himself in the middle of a mystery, art theft and a murder, with him as prime suspect. Supporting Hamm in this crime comedy is host of weird and wonderfully characters played by an equally brilliant cast. All embracing their comedic side and they obviously had a lot of fun doing so. Playing Fletch’s long suffering boss who happens to hate everyone, is Frank, played by John Slattery. Known mostly for playing Roger Sterling in Mad Men and Howard Stark in the Marvel films franchise, Slattery has also taken various comedic roles, adding Frank to the list. We got to steal a few moments of Slattery’s time to talk Fletch, directing and whether comedy is harder than crying.
Full interview in the latest issue of Filmhounds HERE.
Blue Jean - BFI London Film Festival
There have been stories told about life in the 80s and queer stories covering all subjects, but Blue Jean has that spark of brilliance that you long to see when sifting through all the films at the festivals in a year. Georgia Oakley’s debut feature is a fiercely emotional and at times painful frustrating story yet its so beautifully told.
Read more in the latest issue of Filmhounds HERE.
Saturday, 3 December 2022
Das Cabinet des Dr. Caligari
First released in 1920, The Cabinet of Dr Caligari, will always be one of the silent films that will live on through cinematic history. This German expressionism silent horror, originally inspired by the writers Carl Mayer and Hans Janowitz’s experiences during World War One, is known for the twist ending and story structure, which apparently were not included by choice by the writers. Yet these devices are part of the reason the film has gained its iconic status, along with the style and design of the film that will forever be recognised.