Thursday Movie Picks: High School Reunion

The best double bill I saw at the cinema was Romy and Michelle's High School Reunion with Grosse Point Blank. I still have the poster I took from the wall at Prince Charles Cinema. Apart from these two film - which I'm guessing will be popular this week - I found it difficult to think of other film with specifically high school reunions.

Don't forget to check out what Wandering Through the Shelves picked, the blog that started Thursday Movie Picks.

Romy & Michelle's High School Reunion

I think I might have said this already but Romy and Michelle is a film I could literally watch back to back. During Uni my friend and I would ALWAYS watch this film when it was just the two of us and once we did indeed watch it twice in a row. If you don't know the story, its about two ditzy blondes who go to their reunion where they weren't exactly popular. They decide to lie about their lives and claim they invented post-its. Its hilarious as well as just being a great film, full of quote-able lines and memorable outfits and THAT dance routine. Time after time, I'll always come back to this.

Grosse Point Blank

I could say the same about this film too. I will always go back John Cusack's Martain Blank, a hitman who decides to retire. Before he does though, he goes back to his home town and his reunion. He left 10 years previous on Prom Night without a word, breaking the love of his life's heart, Debi, Minnie Driver. As well as being followed by two NSA agents, he also being pursued by Dan Aykroyd's Grocer, another hired gun who wants Blank to join his assassin's union. Great cast, such a typical 90s film and I just love (most) hitman stories and John Cusack.

Young Adult

Ghost writer for a once popular series of book about high school, goes back to her home town for a reunion. She was the Prom Queen and in her mind she is still is. While everyone else has grown up, she hasn't and she thinks she can win back her old boyfriend. It doesn't go well. She is a total bitch and its hard to watch a film where the lead is awful and you can't root for them. Charlize Theron is at her worst here, meaning the character but she does a fantastic job of making us all hate her.

Edinburgh Film Festival: Slash

As director, Clay Liford mentioned before the film began, Slash is a coming of age film as most indie movies are, but this is different.

Slash caught my eye in the festival programme and it was lucky that it happened to be on while I was there. Set in the world of fan fiction writing as well as the act

ual fictional world that Neil, has immersed himself into. A loner at school, going almost unnoticed until, Julia, slightly older and rebellious find his work. She is also an fan fic writer and encourages Neil to publish his work. The two writers grow closer but as with all teens, things are complicated as they are still figuring things out. Neil is definitely bi-curious, conflicted about his feeling for Julia and his attraction to men. It especially shows in his writing.

Neil write about a fake famous character in the sci-fi world, Vanguard and uses his stories as a way of exploring his sexuality. Julia write about another fictional character, an elf, even going as far as dressing up as the character. She seems to write to prove something to herself. These two form a bond that is both endearing and dangerous, but then, that's most things when you're a teenager.

What great about this film is that there is no clear ending, suggesting that both Neil and Julia are still deciding who they are. It's positive and different to most films in this genre.

I thought I knew what fan fiction was, but this film actually cleared a few things up for me. I've read a few stories about various characters, gad knows I've read some FitzSimmons stories. I feel it is something I can read but not join in on. The film reminded me of Jared and Jerusha Hess' Gentlemen Broncos, also set in the world of writing, also about a young writer who has his science fiction novel stolen by a famous sci-fi author. The similarities are with the obvious young writer and the coming-of age experiences but is the writing coming to life that connects these two. We get to see Bronco, both versions of him, trying to complete his mission. In Slash, we see the established character, Vanguard, play out Neil's stories. This adds something extra to the 'coming-of-age' theme and immediately immerses you into Neil's universe.

I really enjoyed the film and it was even better to listen to the director talk about the film. Hoping that it gets a release in the UK but I'n not expecting a large audience which would be a shame. I think there are some sceptics out there who would warm up to fan fic writing. 

Blind Spot Series: Local Hero

Not the most quoted film on my list or the most talked about BUT it is a classic British film that is on the Film 4 list of classics.

American oil company representative 'Mac' MacIntyre (Peter Riegert) is chosen to go to negotiate a deal to buy a small village on the west coast of Scotland and the surrounding areas to make way for a refinery. Upon arrival in Scotland, he teams up with local representative Danny (a very young Peter Capaldi) for the trip. The village is small and the locals seem content with their ways, doubling up on jobs, congregating the same pub every evening. Despite this, they are all keen to sell their properties. While the locals take their time with negotiating, Mac becomes more at peace and happier than he was in Houston. He calls Felix Happer (Burt Lancaster), the owner of the oil company everyday as requested with updates on the sky and stars. Negotiating comes to a halt when Ben Knox, who resides on a the beach, doesn't want to move but as he actually owns the beach, Mac and the locals can't do anything. Happer arrives, wanting to see the village and becomes so enamored with the beautiful location, decides not to have the refinery there but instead make it a research site. Mac is asked to return to Houston to look for another location and reluctantly leaves.

Described as a comedy drama, but more of a quiet culture clash. There are no 'big' scenes or an 'epic' moment. The film takes us on a journey without hardly moving (not counting the flight from Houston to Aberdeen) and lets us as well as Mac indulge in the little pleasures in live, such as looking up and seeing the Northern Lights, collecting shells and making phone calls from an old red phone box.

Bill Forsyth won the BAFTA for Best Direction in 1983 for the film, which beat Tootsie and The King of Comedy. It's rather pleasing to see a British film win the prize. It also seems that those other films were not the same tone.

What could have been a confrontational subject for the film was in fact an entire story about reflection. Happer is obsessed with the stars and encourages Mac, who starts out as a typical sales guy, to look up and observe. He gets excited when he sees the Northern Lights for the first time but the locals, who also seem quite happy where they are, have seen them many times before. As soon as Happer lands on the beach, firstly to talk Ben into agreeing to sell his land, is changed too. The village and location have an usual power, it changes those haven't seen a land like this before. This might not be what Forsyth intended but its what I took away from it.

To see where it all started and for an excellent insight to film, have a look at The Matinee and have a look HERE for more Blind Spot posts from other bloggers. 

I Can't Believe I Saw It At The Cinema

Continuing from the theme last time, I'll dive right into films I wish I never saw. My parents didn't take my sister and I to the cinema too often. I thought this was because they didn't like going but now I understand. There wasn't much on for children apart from the latest Disney which we all loved. My parents were more keen on watching films at home, which is why I think my sister and I had such a great movie education, brought up on all the classics and films they used to like.

Inspector Gadget

My mum used to take us to the cinema during the holidays. My mum isn't really a big cinema fan but she took us. The summer of 1999 we saw the terrible atrocity that was Inspector Gadget. I remember not enjoying this film about a policeman who ends up in a accident and is then transformed into the gadget man and tries to stop the evil criminal Dr Claw. Ugh so dumb. I liked the song that the boy band FIVE did about Inspector Gadget more. I knew Rupert Everett and again wondered why he was in the film. Says quite a lot about me that I only recognised British actors in American films.

Star Kid

From the age of 7 or 8 until 18, I used to stay with my aunt and uncle for at least a week in their home in the New Forest. My Nan would also accompany me for a few years until it became too much.We used to have a routine; go for breakfast at the French cafe, swimming, Milford-on-Sea, visit the large Marks & Spencers for my Nan and go to the cinema. My aunt was and is obsessed with Harbour Lights cinema which is situated just on the water's edge in Southampton. It really is a great cinema but with only 2 screens? We saw many films there but one of the first was Star Kid. It was a similar situation to back home, not many films to choose from for children. Seen the summer before Gadget and this was film was just as bad if nor worse. We all recognise the kid from Jurassic Park right? Joseph Mazzello is now all grown up but I'm sure even he regrets this sci-fi fantasy family film. I think its about a robot suit type thing that a boy climbs into and then has powers and he has to fight this alien who is at war with the robots? (Looks at Wiki) Yeah, that's pretty much it with the added, shy kid gets confidence thing too. I didn't enjoy this film.

Garfield

This is probably one of the most hated films ever. Even the cast hated it but it still got a sequel. I used to like cartoon and the comic strip AND I love Bill Murray. I begged my aunt to take me to this. She was not happy. I really enjoyed this terrible film because it was terrible. I thought Murray was hilarious and everything else was just 'ok'. I completely understand the hate for the film but at the same time I can enjoy it. I've always thought I had an affinity with Garfield. My mum used to say I was him and my sister was Odie. This is spot on.

Thursday Movie Picks: School Competition (Not sports)

I actually found this weeks theme difficult. I don't think I've seen many films with school competitions that don't involve sports. There are quite a few films about singing but instead I went for....

Rocket Science (debate)

Jeffery Blitz's story about shy stutterer Hal Hefner who is roped into joining the school debate team. He tries different ways to overcome his stutter but ultimately does not succeed but he does learn a few other things along the way. This was the first film I saw Reece Thompson in, it's a shame he's not in more things.

Spork (dance)

A musical comedy about a fourteen year old hermaphrodite girl, Spork, a nickname given to her by her brother and friends. After her best friend injures their ankle, they are unable to compete in the school's Dance Off so Spork steps up ans wows the crowd. The clothes and music is all over the place which sounds like a mess but is actually really fun.

Spellbound (spelling)

This is the second of Jeffery Blitz's film in my picks this week. I think this counts as a school competition, especially as you have to be a certain age to be able to compete. Following eight contestants in the 1999 Scripps National Spelling Bee as they try to become the number one speller. Sounds dull? Well, it may seem it, but its actually a really interesting documentary. I just can't believe this is 'a thing' as far as I'm aware we don't have these competitions in the UK.


Don't forget to check out what Wandering Through the Shelves picked, the blog that started Thursday Movie Picks.

Edinburgh Film Festival: The Library Suicides (Y Llyfrgell)

I honestly picked this film because of its title. And it also fit in with my schedule. But the story did catch my eye too. Who doesn't love a revenge story involving twins in a library? 

An unusual thing to have in UK film, it's a subtitled film as it is all in Welsh. To be fair, it makes sense for a Welsh film to be written and made in Welsh. The director, Euros Lyn, said that it was not an odd decision as he speaks Welsh at home so it only seemed natural. 

A thriller with basically a cast of 4 people (5 characters - twins are involved) set in one location mainly, the National Library of Wales and that takes places of one night might seem like a stretch but it fascinating to watch. I did find myself wondering how the hell it was going to end and I'm still a tad confused about a few things but despite these qualms I really enjoyed it.

Based on the book, by Fflur Dafydd’s bestseller Y Llyfgell, the story starts after the sudden and suspicious death of their famous author mother, twin sisters, Ana and Nan take matters into their own hands. Believing that their mother was murdered by her editor, they put their plan of revenge in motion. 

The twins both work as archivists in the National Library of Wales, which where most of the film takes place. The impressive building is in a marvelous location which makes it seem imposing and with the help of the perfect soundtrack, threatening at the same time. It isn't exactly a simple murder revenge story, there are also family secrets to dredge up at the most unfortunate time, repressed feelings and the need to be recognised. As I mentioned, the ending is slightly odd and in my opinion can be taken two ways. There are two sides to every story, different way to look at things, which is interesting and as someone in the Q&A said, 'I appreciate this'.

Not sure if the film will get a wide release outside the UK but if you are in the UK reading this, it might be worth keeping an eye out for it. 

Edinburgh Film Festival: Hunt for the Wilderpeople

 Rarely have I laughed so much in the cinema. Usually there are a few laughs to be had or maybe the odd the laugh, cringe moments depending on what comedy it is. But I haven't laughed constantly at a film in an age. 

Taika Waititi's latest film, Hunt for the Wilderpeople, was a brilliant film. It's been so long since I've seen a cleverly written comedy and heartfelt story in one. 

Young Ricky Baker, a troublesome chubby teenager who has been moved from care home to foster home all his life is sent to live with middle aged couple Bella and Hec who live in the edge of the New Zealand bush. The former gives him the home he has been looking for as well as teaching him some unusual skills such as plucking a rabbit, shooting wild animals and the significance of a hot water bottle. Gruff moody Hec on the other hand just lives with his presence. But tragedy strikes, leaving the two guys alone, Ricky is forced to leave. Before he can be collected by the merciless welfare officer, he escapes into the bush. Soon followed by Hec. But after a few misunderstandings, Ricky and Hec are soon the victims of a nationwide manhunt with enlightening and very funny results.

I really enjoyed the film, it was such a delight. Sending you on an emotional roller coaster while genuinely laughing all the way. The characters of Ricky and Hec (an excellent Sam Neil) are an obvious odd couple but with both their obscure lives and beliefs they make an excellent team.

In some ways, the humour and the way it's pieced together reminded me of Edgar Wright's films (I think Hot Fuzz I laughed alot too) and to the odd quirky side it also reminded me of Richard Aye one's films too. This is probably why I love Waititi's films. Something new but familiar.

In any other filmmakers hands i dont think the film would have been the hit it is and hopefully will be. With every film that Taika Waititi makes, the array of stories just get better and better. I can't wait to see what he makes next.

Edinburgh Film Festival: The Homecoming

The first film of the festival for me and it was an odd one. Described as a comedy about incest but was really quite a stressful awkward  drama with some humorous moments.

I haven't seen an Icelandic film before so as a first taste of what was on offer was very good. But I don't think this was an outright comedy, that was misold. 

Self help writer Gunnar is bored of his successful books. He wants to write something else but doesn't know what yet. He lives a mundane existance with wife Dsa, who he has been with since they were teenagers and as he son later remakes, they are killing each other with boredom. Apart from writing Gunnar visits his brother who has cancer, in the hospital. He confides everything with him. When his son arrives back home with the announcement that he wants to marry Sunna, who hasn't been with that long, his parents are of course surprised but pleased, that is until Gunnar realises that Sunna is in fact his daughter from an affair years ago. This is where is turns from pleasant dram-com to awkward comedy with an extra large dose of awkward. 

If the story was made by an other country it could have been danger of being over the top but the subtle madness of the situation is not over played one bit. Although I would have hoped for more comedic moments just to ease the ever growing tension. There is also the delightful bombshell that isn't just revealed once but three times, each with different effect as well other further moments of truth. 

An excellent start to the festival and the hope that I will get the chance to see more movies from this beautiful place. The landscape is seen - and I have to admit it's always so pleasing to see no matter what film it features. 

I'll Be Back Scotland

Two very long train journeys, three very busy days, four very different films and numerous cups of coffee later - I'm home again.

Not only was my brief trip to the Edinburgh Film Festival the first time I had been but it was also the my first time in Scotland. I'm really annoyed that I couldn't stay longer as there were so many films I wanted to see. Just hoping that they come around to the London festival in October. I'll write the individual film screenings (as per usual) and post them up later but just for moment I'll talk about the city.

I loved it. You can tell if you'll like a place by carrying really heavy and awkward baggage around for hours but still loving the place you are in. This happened in a couple of other places before. Edinburgh wasn't small but it wasn't London either. Looking around it from the top of Calton Hill it was insane to think that the city not only had a castle but it had amazing green areas. Calton Hill and Arthur's Seat are slap bang in the middle of the city. I deduced that everything was at the most 30 minutes away from each other which was very handy. It was also possible to walk to places too but the bus service was so damn good it made me lazy.

To add to the enjoyment of the trip, I stayed at my Airbnb on my own. Previous times were with my sister in Hungary and Finland. My host was amazing! She was so welcoming, even though I turned up at past 11pm on a Thursday. The room was so comfy and I felt at ease straight away.

I do want to go back to the city. Maybe for the festival next year or maybe sooner, alot of things depends on the next few months.

I'm glad I made the rash decision to go the film festival - maybe not financially but for my enjoyment and that terrible word, experience it was worth it.

Thursday Movie Picks: Store/Supermarket/Mall Movies

There were a few others I really wanted to pick but I think I have been hanging onto a couple of these for ages waiting for the right theme to use them. Don't forget to check out what Wandering Through the Shelves picked, the blog that started Thursday Movie Picks.

Empire Records

 The Prince Charles Cinema in London have hosted a Rex Manning Day a few times and every time I want to go but I've got no one to go with me. No one loves this film as much as me. Its such a crazy group of, dare I say it, misfits and their worn out manager. The actual store is amazing and I wish I could live in it. But as music is not really my thing, I would replace it all with movies. It also represents a time when the indie stores were being bought out by the chain stores but then of course now all the chain stores are shutting down and losing out to the internet. A bit like You've Got Mail. Anyway for those yet to see this 90s gem, the film takes places over one day where staff try to make back the money that one lost to buy the store before its taken over my the big bad Music Town company.

The Shop Around the Corner

Speaking of You've Got Mail, TSATC was actually the precursor to the modern adaptation of the play. Starring James Stewart and Margaret Sullavan as the co-workers who don't get along in the shop where they work but are actually slowly falling in love through letter correspondence. It a great film and I actually wrote a comparison post some months ago. That has all I can say about this amazing film.

Be Kind Rewind

I didn't think of Michel Gondry's film straight away but it suits this theme perfectly. Be Kind Rewind, a VHS rental store, a dying breed. Again what is strange that even back in 2008, Movie Rental stores were shutting down, ones with DVDs. The film was behind the times slightly but that's not what it was really about. It's more about what Mos Def and Jack Black do when the latter stupidly erases the tapes by being magnetized. They recreate the films using craft and imagination. Their versions are pretty brilliant actually but there was something sad about this film too. Gondry gets in to include his make-shift craft animation that appears in The Science of Sleep (loved) and Mood Indigo (hated). The end film with everyone watching is amazing and probably my favourite bit.

I Can't Believe I Saw It At The Cinema

Do you remember, possibly in your youth, going to the cinema with friends or family? Looking back, I remember watching most of my films at home. Cinema wasn't exactly a rare treat but it wasn't a frequent outing. I remember seeing Mr Bean: The Movie 3 times at the cinema. I think it was because a cinema complex had opened up not far from me and we were all enjoying it. Also there probably wasn't much on. When I was 12 years and under, there wasn't many films to go and see and I think we struggled back then. When I was a young pre teen/teenager, I was old enough to go to the cinema with friends, what fun! Except my friends didn't want to see the films I liked so I was forced to see the endless drudge of dance flicks, bad rom-coms and terrible horror remakes. Ugh. What a wasted time at the cinema.

My Favourite Martian

Unfortunately I think I had wanted to see this because I knew Christopher Lloyd from Back to the Future. My 10 year old self enjoyed this film about an alien (Lloyd) disguised as human, disrupts the life of Jeff Daniels news reporter. I wasn't aware that the film was based on 60s TV show but somehow, I'm not surprised. I remember there was a trailer for The Mummy and being scared....bare in mind I was 10. What I knew back then was that I was watching a film about an alien that starred Doc Brown and Jeff Daniels (I actually knew who he was). A news producer, recently fired, ends up entangled with the arrival of a martian who is being pursued by the government (of course). I think I enjoyed the film at the time but I doubt I would now.

James and the Giant Peach

This is more of a surprise than 'I can't believe I saw this in the cinema' film. One of Roald Dahl's beloved books, it features an amazing cast and even more spectacular animation. But then, it is Henry Selick, teh genius behind A Nightmare Before Christmas and Coraline. Its the epic story of an orphan boy James who escapes his cruel aunts (the amazing Joanna Lumley and Miriam Margolyes) and flys away in a giant peach. He makes new friends (all giant bugs) and goes off on an adventure. Not mentioned often but its a brilliant adaptation and I can say enough how beautiful the animation is. Selick bring together the darkness of Dahl's story, the bizarre characters and of course the sense that everything is marvelous in the end. I think when I was younger though I just really enjoyed the film and was terrified of the mystic rhino in the sky.

Spy Kids

My mum and her friend used to run a youth club on Saturdays for 9-11 year olds, I used to help out and attend during these ages. My friends and I used to play board games and cards while snacking on treats from the little tuck shop that was set up. Back in the late 90s this was actually quite fun. We didn't sit alone at home on computers or the internet (too expensive). We sometimes played outside too and had water fights, that wasn't as fun when you're picked on. Anyway, it was good while it lasted as it was somewhere to go on the weekends. My mum decided that a trip to the cinema would be good fun too, so she and her friend organised it and you guessed it, we all saw Spy Kids.

I hated this film. I hated it before we even saw it. I was a 'film snob' even then. Looking back, I feel bad about how I reacted, there weren't many family friendly films on at the time and Spy Kids was the only choice. A few other complained about the choice, but they still went. It was a successful trip in the end and I think other parents were pleased to see the kids out of the house.

I still stand by my opinion. A story of two annoying children who are forced to become totally awesome spies to save their world famous spy parents didn't grab me. I remember being disappointed that Alan Cumming had stooped so low in his rather silly role. I knew who he was but now I cannot recall where I had seen him before to know this.... Years later I would wonder what made Robert Rodriguez make this film and its sequels.

Thursday Movie Picks: Immortals

The only film that sprang to mind straight away (apart from Immortals and Tuck Everlasting)) was Highlander but as I cannot stand that film (I barely remember it) I went for some other beings. Don't forget to check out what Wandering Through the Shelves picked, the blog that started Thursday Movie Picks.

Death Becomes Her

I almost left this off my list this week. How could I ignore the classic Streep, Hawn and Willis film about fiends, plastic surgeons, death and immortality. Madeline and Helen are fake friends. Helen is a would be writer, Madeline is a tacky actress. After Mad steals Ernest away from Helen, she goes into a hate spiral. Meanwhile Madeline and Ernest's marriage deteriorates. She cheats on him, treats him like a doormat until one day they are invited to the launch of Helen's new book and she looks fabulous. What is her secret? Well, Madeline finds out on her own. Its brilliant, hilarious, everything you want from this 90s jem.

Immortals

I was being lazy when I picked this as the theme is in the title. What's odd about this beautifully made film was not the fact that it looks amazing but the story is slightly off - but aren't all Tarsem's films like this? I still love them though. No it wasn't this but it was that the title refers to the gods but I'm pretty sure that many of them die during the film. The story is simple - the Gods waged war against the Titans and won, banishing the Titans beneath the Earth. A mortal king wrecks havoc looking a mythical bow to release said Titans and take revenge on the Gods but then legendary hero, Theseus gets in the way.

Byzantium

Though this may be seen as a 'vampire' film, it's not really about vampires. The mother and daughter duo, on the run for centuries from the 'Brotherhood' of 'immortals' as they do not allow women among them. They survive by Clara, the mother, prosituting herself and Ella writes her story over and over then tears it up letting it scatter. Clara lives like this for money and power it would seem and, in a way, its the only thing she has known. Ella is compelled to tell her story for theriputic reasons. Each prays on different people for blood, Clara on lowlifes, Ella on willing elderly victims. They are immortal as well as their foe, thats the main focus so it fits the theme just fine.

Sundance London: Author: The JT LeRoy Story

 This year I got to go to the Sundance London film festival, probably the closest I'll get to original Sundance but I hope not. I only got to see one film but this was worth it.

I can't remember exactly when or why I read 'The Heart is Deceitful Above All Things' but I did back in college. I think it might have been the fact the film adaptation was being released around that time and I found out about the books. I was oblivious about the scandal that come out not long before and just absorbed the book. It was harrowing to say the least, as remember, I thought this was still based on some sort of truth. I decided I did not want to see the film but the book was something else.

A few years later, my friend, who had admired the work of JT LeRoy since he was a teenager, told me about the so called literary hoax. My opinions of the book I read before didn't change. It was still a book, stories like no other. But my interest was piqued as I love a 'behind the artist' story and this was amazing. The real author, Laura Albert had written the all the JT LeRoy stories as well as fabricate a whole cast of characters surrounding the mythical author. JT LeRoy was in fact Savannah Knoop, Albert's sister-in-law, who appeared as 'him/her' in public. The whole story is incredible, mostly with how JT LeRoy had such a following with celebrities and how everyone kept up the acts. The work that Laura Albert created stands alone, the story behind it's creation was another story entirely.

The documentary, directed by Jeff Feuerzeig, weaves an amazing story that pieces together, almost step by step how JT LeRoy came into existence. Laura Albert is the heart of the story as she talks to the camera literally telling her side of the story as well as talking about her childhood, how and where she grew up, the abuse she suffered and her inner feelings about why she needed to write from the perspective of a 14 year old boy who was hustler.

Albert's storytelling skills are brilliant and the perfectly accompanied by photographs, home video, archive footage and animated sections from the books. The stand element in all this has to be the extensive use of recorded phone calls. There were many people who refused to be interviewed and appear in the film BUT these calls are like interviews themselves, words straight from the 'celebrities', friends, associates mouths. The fact that this whole creative journey, yes, that's what I'm calling it, began on the phone when Albert reached out by calling a crisis helpline. What was interesting, that was brought up in the Q&A after the film, someone asked how the call recordings were obtained and why did Albert have them. Jeff Feuerzeig said that Albert was a writer, she keeps everything. I can completely understand this.

Writing this may not make sense but when Albert explains her actions, its seems, in some way, rational. She isn't a malicious person in any shape or form but the headlines claiming the story, her stories to be a big hoax is not possible. Everyone involved with JT LeRoy, the transgender teenage street hustler, might have known that at some point the truth would come out. I'm glad it did so that Albert could get the recognition that she deserved rather than being 'Speedie' in the shadows with her not very convincing British accent. She can now can step out into the light.

A fantastic documentary that finally sheds some light on Laura Albert's side of the story. The film is brilliantly pieced together and I think would be fascinating to watch even if you were not aware of JT LeRoy before.

Character Gender Switch

The other day I was watching Ocean's Eleven (2001) for probably the hundredth time. It is one of my go to movies when I just want to watch something and I can't pick (the others are Dredd, Soapdish and Rear Window). While pondering why Tess Ocean (Julia Roberts) was with Terry Benedict (Andy Garcia) in the first place or how those two even met, I thought, what if all the male roles were switched to female? The story would still work. The story is not based on gender, its a heist film with a bit of revenge. Think about it. Do the entire cast (apart from Roberts) really need to be male? You wouldn't even need to change any lines. Tess Ocean could be switched to male also. The only thing would be the name, Ocean, it might have to be the lead's maiden name. But that's a very small thing is a very big film/story. Personally, I think it could work.

This leads me on to the recent attack on female lead films that have been making waves. I'm sure everyone has heard about the Ghostbusters attacks. An all female lead cast instead of the male cast from the 80s classics. This vision of Ghostbusters has been damned by haters since the cast was announced. People hated it before anything was even made! I'll admit now that years ago when this was rumoured I didn't like it because it was called a 'remake'. BUT the upcoming film is a reboot of the Ghostbusters story while still paying homage to the classics. The film even has involvement from Ivan Reitman and Dan Aykroyd, this bring hope that the film will be good. With every new bit of news, posters, stills, trailers, the haters have come out and trolled the internet with their bs. I say, give it a chance before you damn it. I did that with Twilight. Watched it, hated it, end of story. But I suppose haters gonna hate. Or as Judd Apatow said 'Ghostbusters haters are probably Trump supporters'.

Unfortunately, the rally against female leads continued with the release of the amazing looking first trailer for Rogue One: A Star Wars Story. Felicity Jones is Jyn Erso, a solider of the rebel alliance, she takes the lead in this story which takes place before A New Hope. She, along with a group of other rebels, is tasked with stealing the plans for the Death Star. I;m sure everyone is aware of this film too and probably the negative backlash. Though not as big as Ghostbusters negative wave, Rogue One had the trolls commenting bs.

Saying 'oh great another female lead - really original Star Wars' is probably the one that stood out for me. I cannot comprehend a stupid comment like this. Aren't there countless science fiction and action films where the leads are men? Oh another male lead? So original Hollywood! This sort of comment and the others too, is beyond ridiculous. I've had a few Facebook arguments/discussions with someone but they just say the same old thing and try and sound clever while trying to belittle my opinion.

I had a few arguments surrounding female roles in film and feminism in general. Sometimes a fair point is raised but most of what is said is grandstanding bs. He says that things are exaggerated but I think its the opposite. There may only be a few comments visible but he is, in a way representing those unseen voices or 'haters'.

It doesn't stop there.

With the announcement from Gillian Anderson that she would like to play Bond, the internet has been slowly buzzing. Emilia Clarke has also said that she would like to be considered for Bond too and I think this is fantastic. Either of those two actresses would be brilliant in the role.

After my disappointment with Spectre, I said to my family, who all saw it and has similar ideas about it, why can't Bond be a woman? My Dad said back 'but, he's a bloke'. So? Why not have a female Bond? There was a female M - nothing wrong with that. Seeing that Gillian Anderson had thrown her hat into the ring, it felt like she read my mind. But I'm surely not the only person who was thinking this. Time Out had an article about all the actresses who they think could play Bond so I shared this on Facebook. That same guy wanted an argument/discussion, see below. This is just a snippet of what was said.

All I learnt from this was there is apparently 'NO NEED' for a female Bond. Who said anything about need, I WANT a female Bond. I would also be equally happy with a decent actor playing Bond, but I think now is the time for a female Bond to revitalise the franchise. His comment about Bond being 'an institution' really irritated me. I know it is but it doesn't have to be an 'old boy's club'. The comment that its not believable that a woman could fight a man and win. I think I was just sick. Please tell me if I'm crazy but that is a rather sexist comment, right? Female spies who are highly trained could fight a man AND win.

P.S. Remind me to just delete my FB account as I'm fed up with it.

With all this hate and closed minded-ness, I can only come to the conclusion that these trolls do not like seeing women in powerful, exciting, interesting roles. Women are only there to play the wife or the girlfriend or the neighbour or the secretary. Of course. Amy Schumer's brilliant awards skit rather summed it up.

I feel that there is still plenty of room in film and TV for great lead roles for actresses. So, in order to lead the way, I think Bond could and should be a woman.

Thursday Movie Picks: Wedding Films

Don't forget to check out what Wandering Through the Shelves picked, the blog that started Thursday Movie Picks.

Four Weddings and a Funeral

If I didn't include this film in my picks this week, I'm not British. Richard Curtis on top form here, along with the cream of British acting crop of the 90s. There are too many great moments in this film and none of them include Andie Macdowell, apart from the ending when they're standing in the rain of course.

Ceremony

Max Winkler's debut feature film was difficult to get a hold of. If you recognize the name, he is indeed son of Henry Winkler. Sam, an aspiring writer, falls in love with an older (taller) woman after a brief affair. But she decides to return to her fiance and get married. Sam crashes her wedding to try and convince her not to while dragging his hapless friend along too for the ride. Seems like a run of the mill story but the cast is so unusual that it makes more than the typical unrequited love story. Sometime through it morphs into a story about two friends moving on with their lives. Plus Lee Pace is in it as an eccentric documentary filmmaker, not to be missed.

Melancholia

I couldn't decide whether I liked this film at all. While watching it I felt like my soul was slowly being distorted. The story is of two halves and two sisters. The depressed bride ruins her own wedding to the disappointment of her sister. The second half is about an impending doom about to befall the Earth which I found incredibly uncomfortable. I can't cope with stories about the apocalypse or cannibals. I squirmed around in my seat for the second half as the depressed bride welcomed the doom and the other sister panicked. I don't think I could sit through it all again, but the opening sequence of the film is incredible.