Religion and horror go together like bread and butter. Add in a devout protagonist who believes all the murders she commits is an act of god and you’re looking at a somewhat enticing premise. Though Bella Thorne made her name from playing mean girls and evil ditzy types, here, she is Clare. She believes in god, attends church, sings in the choir but also struggles with her compulsives need to kills people. Having done the festival circuit in 2024, Saint Clare is finally making her way to our small screens. Unfortunately, this is not quite the film that was herald.
Monday, 21 July 2025
Saint Clare
College student Clare appears normal on the surface but tries hard to hide sociopathic tendencies. When girls start disappearing from her small town, with little concern from the police, Clare takes the investigation into her own hands when one of her friends goes missing.
Full review on Filmhounds.
Labels:
101 Films,
female characters,
Horror,
religion
Thursday, 10 July 2025
Jurassic World: Rebirth
(MAJOR SPOILERS) Jurassic Park and World both have their triumphs and flaws, the latter trilogy receiving the most criticism for bringing the dinosaurs into civilisation and as others have pointed out, forced this entire franchise into a corner with little room to develop. From the outset, Rebirth is exactly that. Negating all that has come before and summing up the current situation in a few short paragraphs to set the scene. The scene is set, dinosaurs are dying, those alive are thriving in one specific area, again and have been left there, again, to their own devices. There was hope that maybe the franchise will turn an intriguing corner.
The Jurassic franchise does seem to back peddle at every turn. When in doubt, claim there was yet another island where nefarious things were happening. Need a bad guy? Who does society as a whole despise? Pharmaceutical companies, perfect. What’s the bizarre reason for travelling into the danger zone? Some dinosaurs could be key to curing a life-threatening disease (but not cancer), great, so we just need some samples. This entire set up is near perfect, if formulaic, but would have provided enough entertainment as well as the usual peril that comes with dinosaurs. We may have even got more information on what exactly was happening on the island and more than just that one off speech about how humans are terrible and we’re killing the planet. But unfortunately, for some ridiculous reason, the studio (I’m sure) decided we HAVE to have kids appear in the film. Enter the biggest problem, aside from the design of the D-Rex, the family on the boat.
There were two films going on here, one was the film we all wanted and expected, the other was a pointless family survival story where you didn’t care about the characters or what happened to them. The Delgado family were a distraction and rather ruined the flow of the entire film. The raft scene in the river was excited BUT this easily could have been with the other characters of the film. The team trying get the samples could have been bigger and not just consisted of characters you expected to be killed off one by one so that the three named actors would live. But we only needed one team – as we have with previous films – except Dominion of course, as that cast was huge.
Its such a shame that Rebirth couldn’t deliver a on such an open premise. There was so much opportunity to avoid doing what was done before but unfortunately the need to homage absolutely everything was too much, not to mention the whole other movie shoehorned into the film. Story problems aside, although we got to have a few classic dinosaur moments, the second the D-Rex comes into view looking like the spawn of the Cloverfield monster and the Rancor from Star Wars, the disappointment levels hit the roof. It didn’t look like a dinosaur. Was it meant to? Was the entire purpose that they weren’t creating dinosaurs but just, monsters instead? Who knows!
For love of dinosaurs, Rebirth might just be ok, but if you’re hoping the story will hold, it doesn’t. The characters are also nothing to hold on to, with very one note back stories and in all honestly, Scarlett Johansson, barely making an impression on screen. The heavy character lifting is left to Mahershala Ali and Jonathan Bailey who just about manage to keep the film going. I won’t mention the family as they did not make an impression, they should have been in a different film altogether.
As someone who loves Jurassic Park (and sequels) and Jurassic World, and will even defend Fallen Kingdom and Dominion if I have to, I was sorely disappointed. With a supposedly great cast, great director, great set up, the film falls flat.
Thursday, 26 June 2025
How to Train Your Dragon (live action)
The usual approach to any live action version of any animation is to be cautious. Disney’s tack-less parade of live action remakes that have been one bore after another and in some cases, not as profitable as the House of Mouse had hoped for, have become a staple in the cinematic calendar. Each year a new abomination makes it’s way to the big screen or small screen and reviews are usually middling, good but not great, ok but not necessary. The obvious reason as to why these films get made is, money. Disney want to make money but peddling the same ideas and not creating new ones, which is a creative shame. The worry that other studios that have produced beloved animated films would follow suit had been at the back of my mind for sure. But I never thought it would be Dreamworks with How to Train Your Dragon.
How to Train Your Dragon first arrived in cinemas back in 2010 and was a welcome sensation. Spawning two sequels in 2014 and 2019, along with spin off series and shorts exploring the world of dragons with the same characters. The world built around these characters and their dragons felt like nothing before, hence why the films and extras were so successful. When the filming was quietly announced, it felt like a prank that a live action version was being filmed until suddenly a cast was ensembled and the film had been shot. You could say, the film’s release coincided on purpose with the opening of Isle of Berk at Orlando, Florida and that maybe the two were creates to market the other. All is probably true but we still got a film that we didn’t see coming.
HTTYD is essentially, if not shot for shot, sometimes line for line, the exact same as the 2010 original. But its still feels the same. Carrying the emotional wave, we felt 15 years ago but just a little more realistic. Hiccup is still the outsider in Berk, his father is still the chief disappointed that his son is not exactly Viking material. Hiccup still injures and eventually creates an unbreakable bond with Toothless the Night Fury dragon and together they change the course of Viking and dragon history. Story wise, it is the same. There is nothing to fault the storytelling or the plot, its what we know, what we love and nothing to fault it.
The casting for the film is very satisfying, especially with the re-casting of Gerard Butler as Chief Stoick the Vast. The stand outs are of course is Mason Thames who embodies Hiccup completely and Nico Parker as Astrid who jumps into this role whole heartedly.
But the most magical and they always will be, are the dragons. Apparently, some thought they were too scary for kids, but this film is really for the adults who saw the original, if we’re being honest. The dragons still maintain their characters, which is usually what is lost in live action films when it comes to animals. Thankfully, Toothless still feels and looks like Toothless. The other dragons too have their moments and it’s a relief to still see them maintain that wonder.
Overall, apart from a few wobbly non important contextual plot points but in essence, HTTYD live action has the same beating heart of the original animation. So, beyond saying, its all for money, if the film is essentially the same, no matter how good it is, what was the actual point?
Labels:
Animation,
Live Action,
remakes
Friday, 13 June 2025
The Institute - SXSW London
As the most adapted author, it is no surprise that there is another adaptation of one of Stephen King’s books making its way to our screens. With The Life of Chuck dancing its way onto the big screens later this year, as well as being the closing film for SXSW London, it makes complete sense that The Institute, a series based on the novel also made its debut at the same festival. With the blessing from King himself, enough to have him on as an Executive Producer, the show already shows promise without delving into this science fiction horror story.
Full review over at Filmhounds.
Labels:
film festival,
Filmhounds,
Horror,
SXSW London,
TV
Sunday, 8 June 2025
Swordfish
The early 2000s were a wild time, in reality but most definitely in the cinema. With the classic 90s blockbuster being ever so slightly being moved aside for the more bombastic stylised, heavy on the CGI and a much bigger emphasis on technology version of the blockbuster. Computers, hacking and cyber crimes were becoming more popular themes and almost all had a touch of The Matrix about them. Combing action with thrills and a computer screen with that impossible code that only that one special person could crack, Swordfish takes it’s place amongst the collection of titles that have this familiar set up. Finally, enough time has passed we can look back at these films with fond memories. Move over 90s nostalgia, the 2000s are having their day. Again.
Full review over at Filmhounds.
Labels:
2000s,
Action,
Arrow Video,
Filmhounds,
Thriller
Thursday, 29 May 2025
The Nice Guys (Blu-ray/4K)
The Nice Guys is a throwback to the cop dramas and mis-matched buddy movies of the 70s, 80s and 90s. Even though the comedic elements are front and centre, the story and characters still manage to tread into mystery/thriller territory, feeling very much like a much less series version of Chinatown. Yet still covering a serious subject hidden by unexpected comedic chemistry between Ryan Gosling and Russell Crowe plus the frequent porn connections to the case they’re working on. Releasing on UHD and Blu-ray, The Nice Guys gets the Second Sight Films treatment, after nearly 10 years since its initial release in 2016. This release feels like it was long overdue.
Full review over at Filmhounds.
Labels:
Comedy,
crime,
Filmhounds,
Second Sight Films
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